Basil

Focaccia is one of the easiest flatbreads to make: No shaping is needed because the dough is stretched and spread out in the sheet pan. This recipe uses a very wet dough, resulting in a moist flatbread about 3/4 inch thick. You can substitute shavings of Parmesan for the ricotta salata cheese, if you like. Focaccia is best eaten the day it is baked.

No matter how much you like to cook, everyone gets stuck in a rut. When you find yourself making the same old things, it’s time to cook out of your comfort zone. For us, this means a trip to any international market where one step inside we remember how much there still is to learn. The good news is that walking the aisles of the unfamiliar unlocks the secrets to many of the ingredients in our favorite restaurant dishes. The greens in the produce section alone will keep us busy for a year. We can’t shop when we’re hungry, so first we eat. Thankfully, the Vietnamese noodle bowls right next door energize and inspire our international shopping trips. Vietnamese noodle bowls are filled with contradictions in complete agreement—hot and cold, crunchy and soft, sweet and sour, rich and light. The bowls of warm thin noodles, cool leafy lettuce, bean sprouts, and herbs topped with any meat or seafood you like are perfect for leftover cheater meat. The sweet/salty/spicy dressing may appear way too complex for home cooking. It’s not. The international market has everything you need. Cooking out of your comfort zone will help you dissect the components and flavors of unfamiliar foods. Even if cooking Vietnamese at home sounds daunting, give this a try with leftover cheater meat just for the fun of better understanding how opposites get along.

A simple-to-make and delectable little paste with which to dress just-cooked pasta, to spoon into vegetable soups, to thin with milk or vegetable stock into, itself, a fine soup, to stuff into fat, ripe tomatoes, to present alongside roasted meat or fish, to spread on great chunks of olive-oil-toasted bread, to eat with a spoon while waiting for bread to bake.

Perhaps the essence of Campania is this, of the countryside, of the pastoral innocence of the good, pure foods one eats there. Search, beg, grow, procure these few ingredients, first eating them with your eyes, dashing all record of plastic mozzarella and dusty-fleshed fruit masquerading as a tomato. This is not a recipe as much as it is quiet illustration of one fine way to eat in Italian.

Perhaps until the beginning of this century, there came always, in the severe mountains of the Abruzzo, a haunting desperation with the first days of May. Bankrupt of the thin stores conserved to abide the incompassionate winter—their handkerchief-sized patches of earth sown a few weeks before—the contadini (farmers) waited then for the land to give up its first nourishment. Often it came too late and many died. And even as time brought more mercy, these terrible days were remembered, the pain of them soothed by a simple ritual. The story says that on the first of May, sette fanciulle virtuose—seven young virgins— went from house to house in a village in the Marsica, the area that suffered most in the past, and begged whatever handful of the winter food that might remain in the larders. And, then, in the town’s square over a great fire in a cauldron, the fanciulle prepared a beautiful pottage to share with all the villagers, to bring them together, to warm them, to keep them safe. The potion was known as la virtù—the virtue. The soup is still made, ritualistically, faithfully, each first of May in many parts of the Abruzzo—most especially in the environs of Teramo, as well as in the Marsica—now more extravagantly, brightening the humble dried beans with spring’s new harvests. Employing even a handful or so of all the ingredients results in a great potful of the soup, assigning it thus as a festival dish. On some sweet day in May, invite twenty-nine or so good people and make the soup for them. The tail of a pig and one of his ears, though they are traditional to the soup, seem optional to me.

Caligola, Caligula—the diminutive in the dialect of the Empire for shoe—was the name given to Caio Cesare, despot of the Empire in A.D. 37. And it was under the murky waters of the small volcanic lake of Nemi, south of Rome, that were excavated, earlier in this century, two of the emperor’s small sailing ships—toy boats, really—from which his madness commanded droll, demonic games played in the shadows of the lake forest, the once-sacred woods of Diana’s mythical hunts. Now the pine and oak forests about the little lake of Nemi seem serene enough, whispering up nothing of the old horrors of the place. There, in May, begin to push up from the velvety black earth the most gorgeous and tiny wild strawberries. We like to go there then, for the festivals that celebrate them, to eat them, cool and fresh from their woodsy patches. And on a Sunday last June, as the season for them was ending, we lunched in the town of Nemi, hoping to find one last dose of the berries for dessert. Sitting out on a shaded terrace that looked to the main square, we watched the promenading of the few citizens not yet seated at table. A little ruckus came up behind us from two boys jousting with silvered plastic swords. One of them was a robust sort of chap, thickset, his patrician black-eyed face in profile to us. His adversary was a waif of a boy, a miniature of the other with the same legacy of splendid form and feature. The small one was losing the battle. I tried not to feel every blow I saw him take, the bigger one thrusting the blunted end of the toy sword into his spare middle over and over again. The little one was crying, then, but hardly in surrender. His pain was evident, his fear, too, I thought, yet he stayed to fight. Then, throwing his weapon to the side, the victor began to use his hands to pummel him. The diners around were unmindful. I begged Fernando to do something, to stop them. He told me sternly with his eyes that we must do nothing. I got up and walked, nonchalantly, over to them. “Buon giorno, ragazzi. Come stiamo? Come vanno le cose?” “Hi, boys. How are you? How are things going?” I asked inanely, as though they had been shooting marbles. Gentlemen to the core, the bigger one said, “Buon giorno, signora. Noi stiamo bene, e lei?” “Good day, my lady. We are well, and you?” “What is your name?” I asked, playing for time so the little one might catch his breath. “Io sono Alessio e lui si chiama Giovannino.” “I am Alessio and he is called Giovannino,” offered the big one. I ventured further. “Alessio, did you know that you were hurting Giovannino, that you were hurting him so terribly?” “Sì, signora. Lo so di avergli fatto un pò male.” “Yes, my lady, I know I hurt him a bit,” he answered willingly. I asked him why he would want to be so violent with his little friend. Alessio looked at me full face: “Signora, siamo romani. Combattere è nel nostro sangue.” “We are Romans, my lady. To fight is in our blood.” Educated by the eight-year-old gladiator, I could only shake his hand, then shake the hand of Giovannino and walk back to our table. Fernando told me quietly that a Roman boy could never be Huckleberry Finn. During the lunch, I noticed that Alessio, now sitting on a bench between two people who were likely his grandparents, kept looking at me, waving once in a while, smiling at me with sympathy for my unworldliness. He strolled by the table a little later and asked if we were going to taste the gelato di fragole. It’s made with basil and pepper and vinegar, he proclaimed, as though that composition might be as difficult for me to comprehend as was his penchant for rough sport. He went on to assure us it was the best gelato in Nemi. We asked him if he might like to join us. He said he couldn’t, but thanked us, bowed rathe...

The cooling green tint of the sauce, its reserved, sensual sort of piquancy, make this a pasta good for high-summer lunch or supper after insalata di cantalupo (see page 22).

These tiny black lentils are named for their resemblance to caviar.

This invigorating dish is a refreshing change from the hearty comfort foods of winter. The herbs here aren’t relegated to the sidelines; tossed with arugula, they become the main attractions of this bright salad. Meyer lemons are diced with their peels on and combined with green olives, champagne vinegar, honey, and olive oil for a bracing sweet-tart salsa to accompany the grilled halibut.

I was raised by a beet-hating mother, so we never ate them when I was growing up. But when I left the nest and actually tasted a “forbidden” fresh beet, I was smitten with its sweet earthiness and beautiful color. For years, my mother and I battled back and forth: I relentlessly tried to convince her of beets’ many virtues, and she adamantly hung on to her contempt for them. One Sunday, she called Lucques to ask me what we were serving for supper that night. And then I did it—I lied to my mother. I couldn’t help myself, and made up the name of a beetless dish that I knew would tempt her. I told myself it was all for a good cause. When Mom came in that night and tasted roasted beets, bathed in toasty cumin vinaigrette and arranged on the plate with so many delicious treats, like Nyons olives, fried chickpeas, and slivers of dried ricotta, I knew I had cured her of her beet-hating ways.

This is the dish to make in the middle of the summer when heirloom tomatoes are everywhere. I can think of few more satisfying things to eat. Bottarga, considered the caviar of Sicily, is a delicacy made by drying tuna or mullet roe in the sun until it forms a dense, rust-colored block. Here, it’s shaved and tossed into the pasta, adding a deep oceany essence and salty-savory contrast to the sweet summer tomatoes.

This tart has all the boisterous Mediterranean flavors of pasta puttanesca: tomatoes, anchovies, capers, and olives layered on puff pastry and caramelized onions. Make a tapestry of red, yellow, and orange by layering different-colored heirloom tomato slices over the onions. Though I usually want to put cheese on everything, this tart doesn’t need it. The tomatoes are the stars, so let them shine.