Bean and Legume

Not so many springtimes ago, I knew it was a Roman birthday for which I yearned, convinced that the salve of the place would soften the edges of a long sadness. Arriving crumpled and unslept on that morning, I slid my two dusty bags under the purple flounce of the bed in my genteelly shabby room at the Adriano and bolted off to the Campo de’ Fiori. I needed lilacs. I explained to the flower merchant in the market my desire to bring più allegria—more cheerfulness—to my little hotel room, that I was preparing for a sort of birthday party. He amplified the girth of the sweet-smelling sheaves I’d chosen and dispatched his helper to carry the towering bouquets through the twisting streets back to the Adriano. His field of vision completely contained inside thickets of blossoms, the porter left me to play front guard, to scream commands and admonitions back at him, staging a droll farce that could happen only in Rome. Safe inside the hotel with the lilacs, I purloined a large metal wastebasket from the reception hall, tied up its middle in a length of green silk, and installed the great, weeping blooms at the foot of my bed. I raced back to the market to fill two baskets with tiny, blushed velvet peaches still on their branches and hung them from wall sconces and draped them over mirrors and bedposts and on the roof of the dour, mustard-colored armoire. I collected breads from the forno (bakery) in Via della Scrofa, not so much to eat but for the comfort of their forms and their scents. I unwrapped the Georgian candlesticks I always carry with me from their cradle in my old taffeta skirt, threw open the shutters to beams of a rosy moon, and the birthday room was ready. I’d collected a beautiful supper at Volpetti: a brace of quail, each reposing on a cushion of roasted bread—depository for their rosemary juices—olives crushed into a paste with capers and Cognac, a stew of baby artichokes, new peas, and fava beans scented with wild mint and called, mysteriously, la vignarola—the winemaker’s wife—and a small, white, quivering cylinder of sweet robiola (fresh handmade cow’s milk cheese). I laid the feast on the dressing table, serving myself only bits of it at first. But little explosions of goodness insinuated themselves, and the quiet supper urged me into the goodness of the moment. Hungers found, strategies resewn. Happy birthday. During the time I lived at the Adriano, I went each morning to the market in Campo de’ Fiori, stopping to chat with my flower man, he introducing me to the lady with the slenderest, most delicate asparagus, which I devoured raw, like some earth-scented bonbon, and the one with the baby blood-red strawberries collected in the forests of Lake Nemi up in the Alban Hills. A ration of these beauties I vanquished each afternoon between sips of icy Frascati from my changing caffè posts along the campo. With those weeks as initiation, I might have stayed the rest of my life in the lap of that neighborhood, that village within Rome so contained and complete unto itself, and surely would never have known a single lonely day. More than she is a city, Rome is a string of small provinces, fastened one to the other by old fates.

Savory is possibly the most underappreciated herb in this country. I fell in love with it many years back when I was cooking in France. There, it’s used in the traditional seasoning mix herbes de Provence and added to all types of stews, ragoûts, and sauces. Its aroma—earthy, slightly sweet, and a little bit peppery—reminds me of the brush-covered hillsides where we played growing up. Winter savory, summer savory’s seasonal opposite, is more robust in flavor but would be a fine substitute in this recipe. If you can’t find either of the savories, substitute a combination of equal amounts of thyme, rosemary, and mint. This isn’t a difficult dish to make, but it does require some last-minute multitasking. Have your prepared ingredients—or, as we say in the kitchen, your mise en place—ready to go. Be sure that your herbs are chopped, the vinaigrette is made, the crème fraîche is mixed, and your seasonings are in reach. This dish is a great way to initiate the unconverted to the Church of the Fava Bean. The potatoes and favas are mashed together with butter and finished with pea shoots and a vibrant Meyer lemon salsa. The seared halibut goes on top with a dollop of savory crème fraîche.

Braised meats are ideal for any large gathering because much of the work can be done the day before. In my opinion, braises actually taste better when the flavors have had time to meld and develop. And in the braising process, not only have you cooked the meat, you’ve also created a sauce. Osso buco is a classic braised dish of northern Italy, usually garnished with gremolata, a popular condiment made of minced lemon zest, parsley, and garlic. That’s fine in the winter, but in spring, I like to add two of my favorite spring ingredients: peas and pea shoots. It’s a brighter rendition of the traditional preparation. The risotto, perfumed with saffron, is the perfect starch for spooning up with the braising juices. I’m usually pro-cheese, but in the case of this risotto I find myself torn. Though the Parmesan gives the risotto richness, without it the dish is a little lighter and “more of the season.” You decide.

Spaghetti carbonara was one of the simpler dishes in my dad’s weekend repertoire, and it was by far my all-time favorite thing to make with him. After chopping the bacon, snipping the parsley, and grating the cheese, my sister and I would stand back and watch the grand master perform the final act. As he whisked the eggs and tossed in the piping-hot noodles, we marveled at the transformation of our seemingly simple and innocent ingredients into a magnificent bowl of indulgence. It all happened in a matter of seconds; unlike his laborious stews, which took hours to make, this meal was all about instant gratification. In the spring, I stray from tradition and add lots of sweet peas and pea shoots to Dad’s original formula. The shape of orecchiette pasta suits this dish well; the “little ears” capture the sauce inside, ensuring plenty of flavor in every bite. If you can’t find orecchiette, use spaghetti or penne.

Every time I make this flageolet gratin, I think about my first days at Chez Panisse. Everything went smoothly the first week. It seemed my studying—I had read La Varenne Pratique cover to cover and was working my way through Larousse Gastronomique—had paid off, until one of the cooks asked me to go and get a bag of “flageolets” from the storeroom. All of the blood rushed to my face. Too embarrassed to admit I didn’t know what he was talking about, I scurried away, hoping for divine intervention. In my panic, I spotted a French cookbook and quickly read that flageolets were dried kidney-shaped French beans. I found the beans in the pantry, wiped the sweat from my brow, and rushed back to my station. Saved— until the next time!

This lamb dish is saturated with the bold flavors of Provence—rosemary, thyme, garlic, olives, and capers. First the lamb is seared with broken sprigs of rosemary and thyme to infuse the meat with smoky, eucalyptus notes. Then it’s buried under plenty of garlic and herbs, roasted in the oven until medium-rare, and served with a sweet and creamy flageolet gratin, roasted radicchio, and black olive tapenade.

These tiny black lentils are named for their resemblance to caviar.

When I was chef de cuisine at Campanile, I had to make brisket every Friday for the weekend brunch menu. Pounds and pounds of it passed through the hot ovens and sat resting on the counter before it was put away in the refrigerator. Sometimes I’d hear someone whisper, “Hide the brisket, she’s coming.” Nancy Silverton, the owner, would suddenly appear from around the corner, fingers poised to pilfer the fatty top layer from the roast. It was so rich and addictive, we couldn’t blame her. When you buy your brisket, don’t let your butcher cut away that top fatty layer; it adds essential flavor and keeps the brisket from drying out. Look for a brisket sold “point-on”—that triangular end is the most tender and flavorful part of the meat. You don’t have to serve both sauces with the brisket, but I think it’s super delicious that way. One bite gets an herby, acidic note of salsa verde and the next one rewards you with a fiesty horseradish cream. When I made this dish at home, my husband, brother-in-law, and best friend managed to polish off the entire 6-pound brisket by themselves while watching a single basketball game. I was shocked. It’s always better to make more brisket rather than less. And even if your friends don’t have as big appetites as mine do, you’ll be happy to have the leftovers for sandwiches or hash the next day.

Shellfish and beans are a classic Italian combination. In the tradition of frugal and resourceful peasant cooking, nothing goes to waste in this dish. As the beans simmer away with the thyme, rosemary, and chile, they create another invaluable ingredient: a delicious stock. Starchy and flavorful, it’s added to the steaming shellfish, thickening their juices into a complex broth. The cavolo nero adds an earthy note and a chewy texture to the seafood stew. This is a rustic family meal in which everyone should take part, serving themselves from the bountiful platter at the center of the table. And don’t forget to serve big hunks of crusty bread for sopping up all those juices.

I was raised by a beet-hating mother, so we never ate them when I was growing up. But when I left the nest and actually tasted a “forbidden” fresh beet, I was smitten with its sweet earthiness and beautiful color. For years, my mother and I battled back and forth: I relentlessly tried to convince her of beets’ many virtues, and she adamantly hung on to her contempt for them. One Sunday, she called Lucques to ask me what we were serving for supper that night. And then I did it—I lied to my mother. I couldn’t help myself, and made up the name of a beetless dish that I knew would tempt her. I told myself it was all for a good cause. When Mom came in that night and tasted roasted beets, bathed in toasty cumin vinaigrette and arranged on the plate with so many delicious treats, like Nyons olives, fried chickpeas, and slivers of dried ricotta, I knew I had cured her of her beet-hating ways.

Chanterelles, porcini, mousserons, and white and black trumpets are some of my favorite mushrooms for this pasta. If you can’t find any of those, use shiitake or oyster instead. When you sauté the mushrooms, don’t crowd too many in one pan. If your pan isn’t large enough, cook them in batches. I love the brightness of fresh shell beans, but in winter, you can make this dish with dried beans, such as cannellini or flageolets, which will be a little more hearty but equally delicious.

Shell beans are a big part of late summer and early fall in our kitchen. If you happen to come by Lucques on a slow night when they’re in season, you’ll see runners, cooks, and dishwashers gathered around huge piles of shell beans, shucking, shucking, shucking. For me, shucking provides a much-needed period when my hands can do the work and my brain takes a little time off. Don’t worry, shell beans for six won’t require a crew of shuckers.

I like to use a variety of shell beans for this dish. Because of their different sizes and shapes, cook each type of bean separately, dividing the other ingredients as necessary. You may need a little more oil if you have many varieties of beans. The starchy liquid from cooking the beans is delicious in the ragoût.

This was one of our first Sunday suppers at Lucques. It’s a variation on the classic osso buco, which is traditionally made with veal shanks. I use the same technique, but for this lighter summer version I braise the lamb shanks in white wine and a combination of veal and chicken stock (as opposed to straight veal stock). The tender shanks are a rich counterpoint to the freshness of the shell beans and crunch of the haricots verts. Ask your butcher for lamb osso buco, but if you can’t find it you can use lamb shanks.

Pork loin is a lean, delicate cut of meat compared to, say, a big, fatty chop, and this recipe is all about maximizing its taste and preserving its moisture. Applying the mustard marinade twice and roasting slowly with butter and herbs will simultaneously infuse the meat with complex flavor and help protect its precious internal juices. It’s very important to use a roasting rack, which helps the air circulate, resulting in even cooking.