Pea

Deep in the Gothic tangles of the Aspromonte sits the fourteenth-century Santuario della Madonna di Polsi, a refuge culled by an ancient order of cloistered sisters dedicated to the honor of the Madonna, through a life of acetism. Once a year, though, in the early spring, when pilgrims from faraway parishes walk over Monte Montalto to the sanctuary to celebrate the festival of the Madonna, the nuns sacrifice a flock of newborn lambs to the glory of her, braising their flesh in old, shallow coppers and feeding the faithful at long, rough-hewn tables set out on a meadow floor.

Here is a simple presentation of the components of Rome’s saltimbocca embroidered with spring peas and tomatoes.

Not so many springtimes ago, I knew it was a Roman birthday for which I yearned, convinced that the salve of the place would soften the edges of a long sadness. Arriving crumpled and unslept on that morning, I slid my two dusty bags under the purple flounce of the bed in my genteelly shabby room at the Adriano and bolted off to the Campo de’ Fiori. I needed lilacs. I explained to the flower merchant in the market my desire to bring più allegria—more cheerfulness—to my little hotel room, that I was preparing for a sort of birthday party. He amplified the girth of the sweet-smelling sheaves I’d chosen and dispatched his helper to carry the towering bouquets through the twisting streets back to the Adriano. His field of vision completely contained inside thickets of blossoms, the porter left me to play front guard, to scream commands and admonitions back at him, staging a droll farce that could happen only in Rome. Safe inside the hotel with the lilacs, I purloined a large metal wastebasket from the reception hall, tied up its middle in a length of green silk, and installed the great, weeping blooms at the foot of my bed. I raced back to the market to fill two baskets with tiny, blushed velvet peaches still on their branches and hung them from wall sconces and draped them over mirrors and bedposts and on the roof of the dour, mustard-colored armoire. I collected breads from the forno (bakery) in Via della Scrofa, not so much to eat but for the comfort of their forms and their scents. I unwrapped the Georgian candlesticks I always carry with me from their cradle in my old taffeta skirt, threw open the shutters to beams of a rosy moon, and the birthday room was ready. I’d collected a beautiful supper at Volpetti: a brace of quail, each reposing on a cushion of roasted bread—depository for their rosemary juices—olives crushed into a paste with capers and Cognac, a stew of baby artichokes, new peas, and fava beans scented with wild mint and called, mysteriously, la vignarola—the winemaker’s wife—and a small, white, quivering cylinder of sweet robiola (fresh handmade cow’s milk cheese). I laid the feast on the dressing table, serving myself only bits of it at first. But little explosions of goodness insinuated themselves, and the quiet supper urged me into the goodness of the moment. Hungers found, strategies resewn. Happy birthday. During the time I lived at the Adriano, I went each morning to the market in Campo de’ Fiori, stopping to chat with my flower man, he introducing me to the lady with the slenderest, most delicate asparagus, which I devoured raw, like some earth-scented bonbon, and the one with the baby blood-red strawberries collected in the forests of Lake Nemi up in the Alban Hills. A ration of these beauties I vanquished each afternoon between sips of icy Frascati from my changing caffè posts along the campo. With those weeks as initiation, I might have stayed the rest of my life in the lap of that neighborhood, that village within Rome so contained and complete unto itself, and surely would never have known a single lonely day. More than she is a city, Rome is a string of small provinces, fastened one to the other by old fates.

Braised meats are ideal for any large gathering because much of the work can be done the day before. In my opinion, braises actually taste better when the flavors have had time to meld and develop. And in the braising process, not only have you cooked the meat, you’ve also created a sauce. Osso buco is a classic braised dish of northern Italy, usually garnished with gremolata, a popular condiment made of minced lemon zest, parsley, and garlic. That’s fine in the winter, but in spring, I like to add two of my favorite spring ingredients: peas and pea shoots. It’s a brighter rendition of the traditional preparation. The risotto, perfumed with saffron, is the perfect starch for spooning up with the braising juices. I’m usually pro-cheese, but in the case of this risotto I find myself torn. Though the Parmesan gives the risotto richness, without it the dish is a little lighter and “more of the season.” You decide.

Spaghetti carbonara was one of the simpler dishes in my dad’s weekend repertoire, and it was by far my all-time favorite thing to make with him. After chopping the bacon, snipping the parsley, and grating the cheese, my sister and I would stand back and watch the grand master perform the final act. As he whisked the eggs and tossed in the piping-hot noodles, we marveled at the transformation of our seemingly simple and innocent ingredients into a magnificent bowl of indulgence. It all happened in a matter of seconds; unlike his laborious stews, which took hours to make, this meal was all about instant gratification. In the spring, I stray from tradition and add lots of sweet peas and pea shoots to Dad’s original formula. The shape of orecchiette pasta suits this dish well; the “little ears” capture the sauce inside, ensuring plenty of flavor in every bite. If you can’t find orecchiette, use spaghetti or penne.

This soup was inspired by Roger Vergé, who, unbeknownst to him, was one of my first cooking teachers. I was lucky enough to dine at his restaurant Moulin de Mougins with my parents when I was in sixth grade. Set in a restored mill in the hills of Provence, the restaurant was paradise. I remember the thoughtful waiter who spent 15 minutes discussing the cheeses on that beautiful wicker trolley. That summer afternoon, when we finished lunch, my father surprised me with Monsieur Vergé’s cookbook. This soup was one of the first recipes I made from the book when we returned home from our trip. My mother loved it, and now, every Mother’s Day, I make this pea soup for her, to remind us of that amazing lunch in Mougins.

This dish proves my quirky theory that green and orange foods go together. Think about it: peas and carrots, oranges and asparagus, winter squash and arugula. Saffron, a beautiful rusty orange, pairs perfectly with spring’s green bounty. Saffron has been used as a flavoring and coloring agent (even as hair dye!) since ancient Egyptian times. The saffron thread is actually the stigma (part of the female reproductive organ) of the saffron crocus. Each one must be handpicked from the flower, which accounts for saffron’s outrageous price. Fortunately, a little goes a long way. Use it with a light hand, as too much saffron can easily overwhelm a dish. Buy whole threads, not powder, and store them in a cool, dark place. Buy only a little saffron at a time, so you’ll be able to use all of it while it’s still fresh.

One year while researching ideas for our St. Patrick’s Sunday supper, I discovered that the Irish obsession with potatoes is not a myth. Page after page of old Irish “cookery books” reveal numerous formulas for the tuber, with whimsical names for each. I fell for champ, an Irish version of mashed potatoes flavored with a handful of finely sliced scallions. Since it was spring, I skipped the scallions and used lots of sliced green garlic instead. But the Irish don’t live on potatoes alone; seafood is actually the backbone of their diet. So I decided to celebrate their patron saint with something from the sea. I found lots of recipes for fish as well as tiny clams known as cockles. Trying to bring these Irish specialties together, I steamed the cockles with white wine and butter and then spooned them over the creamy green garlic champ. And what more Irish way to sop up those briny juices than with a savory brown scone?

In spring, garden peas and young carrots need little embellishment to taste amazing. It’s all about the execution. You want them just tender, but not crunchy. And you use only a little butter here—just enough to make the vegetables glisten.

For years, I’ve made smooth pureed pea soups; they’re always a hit at my restaurants. Recently, I was inspired by my mom to try something new. While visiting New York with my dad, she made a chunky pea and carrot stew with slab bacon and cabbage. I decided to go vegetarian here—doing away with even the chicken stock and creating a tea-like herb infusion instead—and to puree only part of the ingredients, making a light pureed soup with whole peas and sliced carrots scattered throughout. The result is a bowl of spring.

This super-savory dressing goes with everything from haricots verts to chopped romaine. But I especially love it in this combination. For parties, I toss the dressing with just the snap peas and spoon the mixture into the endive spears to make a passed hors d’oeuvre.

Years ago, as vegetarians, my husband and I traveled through the American heartland, and I remember sampling a traditional salad whose main ingredients are green peas and Cheddar cheese. I expanded this basic formula (as well as the foggy memory) into a recipe that includes pasta, making it more substantial.

Crunchy and colorful, this is an appealing presentation for cold Asian noodles.

Use slender asparagus and you won’t need to scrape the stalks. If you still believe that asparagus should be a harbinger of spring (even though it’s in the market nearly year-round now), make this dish a tradition by serving it every April or May.

Characteristic of some Southeast Asian cuisines is the overlapping of Asian and Indian influences. This is true of this pleasantly offbeat noodle dish, which is seasoned with both soy sauce and curry.

Here’s a delicious, substantial grain dish that’s ready in minutes, leaving you plenty of time to build a meal around it.

In the classic Thai dish, white rice is combined with white potatoes. Though it sounds rather redundant, the seasonings and embellishments make it delectable nonetheless. I took the general idea of this recipe and revved it up to include the two main ingredients’ more nourishing counterparts—brown rice and sweet potatoes. This may still sound like an odd combination, but honestly, it works very well. Like any dish using brown rice, this will take about forty minutes, but hands-on time is limited, allowing you to prepare any accompaniments at a leisurely pace.

This is an easy dish to make, and the results are splendid. Using quick-cooking rice, you can have a magnificent one-dish meal in about thirty minutes, whether for a busy weeknight or a leisurely weekend meal.

We’ve rarely gone out for Indian food without including aloo gobi among our selections. It’s a vegetarian/vegan standard. This rendition comes together quickly, and the tofu mimics paneer, the bland, soft cheese found in some Indian dairy dishes.

This is a nice change of pace from more common soy sauce–flavored stir-fries, but it’s just as quick and every bit as delectable. Don’t be alarmed by the ingredient list, which is relatively long compared with those in most recipes in this book. It really is a quick dish, and with such an array of healthy components, you’ll need little else to make a satisfying meal.