Potato

A traditional low-country boil is a whole lot easier in a kitchen than on a deck with all that huge pot, outdoor burner, and propane tank business. Usually, the corn on the cob and the new potatoes are cooked right in the boil with everything else, but in a regular kitchen stockpot, we think it’s easier to cook the vegetables separately. We like the extra depth that a little bottled smoke adds to the shrimp boil.

In the Sard dialect, the town of Villagrande is called Biddamanna. There, a vast parcel of Sard earth is su cumonale—owned by everyone of the community. Shepherds can pasture their sheep, townsfolk can collect wood for their fires, a family can cultivate a small orchard, a garden of vegetables. The Biddamannesi can walk kilometer after kilometer through forests, into the mountains, onto the moors, hunting, foraging, gathering, as they have done forever in this town with no walls, no fences. And, too, they cook for each other over great fires laid in the piazza near the village hall on feast days. Cauldrons of thick soups, mutton poached with wild grasses, and beautiful handmade pastas are offered with baskets of pane carasau and barrels of rough, purply cannonau. Though all Sards seem passionate about making packets of their food, these Biddamannesi seem more devoted, even, to the pursuit. They urge rough doughs into pouches and pillows plumped with all manner of savories and sweets, the bundles tumbled into gurgling oil or baked over wood embers or gently poached. Culingionis are raviolo-like pasta typically stuffed with bitter greens and an acidy, fresh ewe’s milk cheese or a paste of potatoes, nutmeg, cloves, wild mint, and pecorino. Though these are luscious, it is a half day’s ceremony to make them. Hence, I sometimes wrap the good potato paste in a crisp quilting of cheese pastry, a quickly done deed that gives up all the savor of the culingionis plus the prize of a gorgeous scent as the crostata bakes to crispness.

Deep in the Gothic tangles of the Aspromonte sits the fourteenth-century Santuario della Madonna di Polsi, a refuge culled by an ancient order of cloistered sisters dedicated to the honor of the Madonna, through a life of acetism. Once a year, though, in the early spring, when pilgrims from faraway parishes walk over Monte Montalto to the sanctuary to celebrate the festival of the Madonna, the nuns sacrifice a flock of newborn lambs to the glory of her, braising their flesh in old, shallow coppers and feeding the faithful at long, rough-hewn tables set out on a meadow floor.

Foggia is the city studding the largest wheat fields of Italy’s south—the tavoliere—it being the ancient, present, and endless granary of the peninsula. Too, are potatoes cultivated there, soothing the Pugliese penchant for them in breads, tarts, stews. Our maîtresse d’hôtel in Foggia baked a reprise of this luscious tart evening after evening, sometimes filling it with minced lamb or thin slices of poached sausage or crumbles of smoked ricotta, and presented it barely warm as our first course.

A smoky char permeates the potatoes and the onions and this, fusing with the brininess of the capers and olives and anchovies, gives up luscious flavors.

Perhaps until the beginning of this century, there came always, in the severe mountains of the Abruzzo, a haunting desperation with the first days of May. Bankrupt of the thin stores conserved to abide the incompassionate winter—their handkerchief-sized patches of earth sown a few weeks before—the contadini (farmers) waited then for the land to give up its first nourishment. Often it came too late and many died. And even as time brought more mercy, these terrible days were remembered, the pain of them soothed by a simple ritual. The story says that on the first of May, sette fanciulle virtuose—seven young virgins— went from house to house in a village in the Marsica, the area that suffered most in the past, and begged whatever handful of the winter food that might remain in the larders. And, then, in the town’s square over a great fire in a cauldron, the fanciulle prepared a beautiful pottage to share with all the villagers, to bring them together, to warm them, to keep them safe. The potion was known as la virtù—the virtue. The soup is still made, ritualistically, faithfully, each first of May in many parts of the Abruzzo—most especially in the environs of Teramo, as well as in the Marsica—now more extravagantly, brightening the humble dried beans with spring’s new harvests. Employing even a handful or so of all the ingredients results in a great potful of the soup, assigning it thus as a festival dish. On some sweet day in May, invite twenty-nine or so good people and make the soup for them. The tail of a pig and one of his ears, though they are traditional to the soup, seem optional to me.

Abbacchio, a long-ago Roman term for a newborn lamb, is the prescripted dish of Easter. And older than history is the innocent, rousing scent of it roasting with branches of wild rosemary, curling out from the kitchen doors of the trattorie in the Trastevere on Sundays in the spring, beckoning one to table together.

This potato and bacon gratin was created by Rob Chalmers, a chef de cuisine at Lucques who had a great love of food and a big Boston attitude to go along with it. When he first told me about this gratin, I thought he was joking. That much fat in one pan might put even me over the edge. But lo and behold, bacon, potatoes, and cream really do taste good together!

If you’ve never had grilled duck breasts, you’re in for a revelatory surprise. The contrasts are striking: the smoke of the grill against the richness of the duck fat, the juicy meat capped by crispy skin. At the restaurant, we buy Liberty Farms breasts (see Sources), which I have found superior to others in taste and texture. They raise a variety of duck called Pekin, a smaller, more compact bird (a single breast is perfect for one person) with a brighter, more delicate flavor and feel. You may have more luck finding Muscovy duck breasts, which are heftier, more steaklike. If you use Muscovy, you’ll only need four breasts to feed six people. Grilling duck breasts requires some attention. The fat from under the skin will inevitably drip into the fire, causing flare-ups, which can blacken the breasts if you’re not careful. If a flare-up occurs, use tongs to snatch the breasts off the grill for a few seconds, then return them once the flames have subsided. You may need to move them around the grill almost continuously as the fat renders out. The reward for this vigilance, however, is perfection—crisp golden brown skin and plump, succulent meat. An easier option is to sauté them in a cast-iron pan over medium-low heat, still skin side down, taking your time to render the fat from under the skin. Once the skin is crisp, which can take longer than you might expect, turn the breast over and cook a few more minutes, until medium-rare.

Savory is possibly the most underappreciated herb in this country. I fell in love with it many years back when I was cooking in France. There, it’s used in the traditional seasoning mix herbes de Provence and added to all types of stews, ragoûts, and sauces. Its aroma—earthy, slightly sweet, and a little bit peppery—reminds me of the brush-covered hillsides where we played growing up. Winter savory, summer savory’s seasonal opposite, is more robust in flavor but would be a fine substitute in this recipe. If you can’t find either of the savories, substitute a combination of equal amounts of thyme, rosemary, and mint. This isn’t a difficult dish to make, but it does require some last-minute multitasking. Have your prepared ingredients—or, as we say in the kitchen, your mise en place—ready to go. Be sure that your herbs are chopped, the vinaigrette is made, the crème fraîche is mixed, and your seasonings are in reach. This dish is a great way to initiate the unconverted to the Church of the Fava Bean. The potatoes and favas are mashed together with butter and finished with pea shoots and a vibrant Meyer lemon salsa. The seared halibut goes on top with a dollop of savory crème fraîche.

My first real chef position was at Alloro, a small Italian restaurant in Boston’s North End. In this all-Italian neighborhood, the owner was not Italian, but rather a Portuguese guy named Armando. Some cultures care more about food than others, and, like the Italians, the Portuguese are definitely devoted to their cuisine. Armando loved to tell me about the Old Country and the dishes his mother made for him when he was growing up. This dish is traditionally made with pork loin, but when I tried it, the loin was dry and didn’t seem to marry well with the flavors of the clams. So I decided to try it with pork confit, which would get crispy on the outside but stay meltingly tender on the inside. To give more pork flavor to the broth, I added chorizo and came up with my own version of pork (and pork!) and clams. In honor of Armando, I always make my pork and clams with fried potatoes. If he had his way, everything would come with fried potatoes.

In my opinion there is no better accompaniment to pork than pork. I’m shamelessly infatuated with this versatile meat and use it often, not only as the key player but also as a seasoning. In this dish it’s both—the chop is the star and the bacon supports it, echoing the great pork flavor. Brining adds an additional layer of flavor, both sweet and salty, while also tenderizing the meat, making for an extra-juicy chop. Catalan romesco is one of my favorite condiments. Made from roasted tomatoes, ancho chiles, nuts, garlic, olive oil, and fried bread, this spicy sauce is delicious on grilled fish, fried tetilla cheese, roasted leeks and onions—I don’t know where to stop. . . .

Every chef has a love-hate dish, the dish that made it into the first review, the one that customers call ahead for, the dish, therefore, the chef will never be able to take off the menu. Short ribs are mine. I used to be tortured by them, but I’ve come to accept them as a permanent member of the Lucques family. The short-rib saga began one cool and rainy weekend when, inspired by the weather, I made them for a Sunday supper. The response was so overwhelming that I added them to our daily menu. When spring arrived and the city began to warm up, I replaced the short ribs with something lighter. That week, I went out to the dining room to say hello to a friend and was assaulted by diners at three different tables, who waved me over to find out (you guessed it) where the short ribs had gone. At first I was stubborn and refused to serve them in 90-degree weather. But I had a change of heart when I realized how much people loved them and how easily I could satisfy their craving. The short ribs went back on the menu and will probably remain there for all eternity.

In the early days at Lucques, Corina Weibel, my opening sous-chef, and I were the only two cooks in the kitchen on Sundays. After a hectic Saturday night, both of us looked forward to cooking in a tranquil kitchen on Sunday. During those afternoons, Corina loved to tell stories about her Swiss heritage and to reminisce about her grandmother’s cooking. When she described her grossi’s potatoes, a combination of crisp sautéed potatoes with a coating of crunchy breadcrumbs, I knew I would love them (starch plus starch!).

My mother’s version of this juicy pan-fried steak came from her grease-marked kitchen bible, Mastering the Art of French Cooking, by Julia Child. The classic bistro sauce is made by sautéing minced shallots in the same pan as the steak, adding a generous amount of red wine, and finishing it with butter and parsley. Although I love the smoky flavor of the grill, nothing gives the meat a better crust than a very hot cast-iron pan. And if you’re planning on making a pan sauce, those crispy bits left behind by the steak will give it a deep, meaty flavor. But remember to get the pan super-hot and smoking before cooking the steaks. You might have to disconnect your smoke alarm temporarily, but it’s worth it.