Pasta

The Italian title calls for John Dory as the fish, and by all means use it if you can find it, but otherwise sea bass will be just as delicious.

In this dish, the cavatelli are dressed with a sauce of fresh fava beans, always a great treat in season. Another special ingredient here is ricotta salata, or salted ricotta, a marvelous product made from fresh sheep’s-milk ricotta that is pressed, dried, and aged for a few months, until fairly firm, retaining the mild, milky taste of fresh ricotta yet with more complexity. It is a traditional accompaniment to fresh favas—a delicious pairing you will taste here—but ricotta salata is a great final seasoning on many other pastas as well. As I instruct in this recipe, ricotta salata is best grated on top of the pasta just before you serve it. Put a chunk of it on the table with the grater, and let people shower on more ricotta salata as they dig deeper into their bowls.

The second recipe for cavatelli with cauliflower, casareccie vruocchele e vredocchie, has a bit more complexity with toasted almonds and bread crumbs. Typically, this kind of dish is made with fresh home-made pastas like cavatelli—casarecce means “homemade”—but a short dried pasta such as gemelli can be substituted.

Cauliflower is one of my favorite vegetables, and I regret that many people don’t sufficiently appreciate its unique flavor and nutritional value. This is not the case in Molise, where it is cooked often and creatively, as exemplified by the following two simple vegetarian pasta dishes. The first recipe, maccarun ch’i hiucc, is zesty with garlic and peperoncino.

On my recent visits to Abruzzo, I have been impressed as never before by the region’s Adriatic coast, with its picturesque trabocchi, the little fishing shacks that hover over the water at the end of long wooden piers, and by the fresh coastal cuisine we enjoyed, meal after meal. Here’s a recipe inspired by the delightful lunches of that visit, which we sometimes ate in view of the trabocchi, where the smoke rising from the ends of the piers told me the fishermen were cooking lunch, too. It is just the kind of fresh-from-the-sea dish they make, lots of shellfish quickly cooked in garlicky tomato sauce, then tossed with a pasta that traps the nuggets of fish and sauce in its hollows. My choice are the fat tubes called paccheri, a sort of giant rigatoni. In my opinion, there is no greater gustatory experience than the marvelous squirting that fills your mouth when you bite into paccheri full of sauce and juicy seafood. This pasta di trabocchi also has the distinctly Abruzzese touch of saffron (picked in the high plains of Navelli) to add complexity and depth to the sauce. And for me, saffron has a magical effect on the palate, creating the illusion of distant, mystic places. It’s a fitting flavor in a dish of the sea, and a symbol for those that travel the sea, the mariners of the Abruzzo coast.

I love ground-meat sauces that cook slowly for hours, allowing an exchange of flavors between the meat, cooking liquids, and seasonings and concentrating them into a dense, delicious dressing. Emilia-Romagna is famous for such sauces, the classic Ragù alla Bolognese (page 382) and Ragù di Carni Bianche (page 137) among them. This Abruzzese sauce is quite similar in its procedures, though it uses only pork rather than a mixture of ground meats. It also has some of the typical flavoring touches of the region, notably a generous dash of peperoncino and a greater volume of tomatoes, rendering it a bit more acidic and definitely more lively than a conventional, mellow Bolognese. It’s a great dressing for homemade maccheroni alla chitarra, and wonderful with other pastas, too. At home, whenever I’m preparing a dish like this that takes a long time—and yields such delicious results—I make more of it than I need for one occasion. Another great, effortless meal is a good reward for the hours and effort devoted to cooking the sauce. That’s why I have formulated this recipe to yield enough ragù to dress a pound of maccheroni or other pasta on the day it is cooked, with an equal amount to pack away in the freezer.

Agro means “sour,” and in this refreshing and fast pasta sauce, there’s plenty of lively acidity: white wine, freshly squeezed lemon juice, and grated lemon zest. These are nicely balanced with butter and cream, and all the cooking takes barely 5 minutes—less than the time you need to cook your maccheroni alla chitarra. Be sure that all your ingredients are ready—and the pasta water is at the boil—when you start cooking the sauce. Best with maccheroni alla chitarra, this dressing is also delicious with fresh tagliatelle or dry spaghetti or linguine.

In this recipe, careful cooking brings out the wonderful flavor of fresh zucchini to make a lovely dressing for maccheroni (or other pasta). Select small, firm zucchini, though—preferably right from the garden!—and if you can, pick, or purchase, zucchini flowers at the same time. They make the dish especially festive. As the name all’Aquilana suggests, this has distinctive touches of the cooking of Aquila, a city in the high inland province of Abruzzo: you can’t miss the fragrant presence of saffron (presumably the splendid zafferano d’Aquila; see page 243), and the sauce’s final enrichment with egg yolks is a typical embellishment in regional kitchens. All together, this is a flavorful and satisfying first or main course. It’s thoroughly vegetarian—though you can use poultry stock in place of water for a somewhat richer dish.

This wonderful country-style pasta dish requires almost no cooking, but fresh, flavorful ingredients are essential. Most important is to find fresh whole-milk ricotta (not the processed, packaged variety), often sold in good Italian markets and whole-food stores. If you can find artisan-made sheep’s- or goat’s-milk ricotta, that would be best of all. Another key ingredient is dry pasta made from farro, a kind of wheat berry usually cooked as a whole grain (try my Farro with Roasted Pepper Sauce, page 167). Farro pasta is quite popular in Abruzzo and is manufactured there, in many shapes, by both small artisanal pastifici (pasta factories) and the big pasta companies. Look for it in your market, or order it online (see Sources, page 387); either ziti or spaghetti would be my choice for this dish. It is delicious, nutritious, and moderately priced. You’ll also need tender rucola (arugula), good grated pecorino, and excellent extra-virgin olive oil. Once you have all your ingredients, the preparation is fast and easy.

The dough for maccheroni alla chitarra has to be slightly firmer than usual for fresh pasta; it requires a bit more flour, so it will cut neatly when pressed against the chitarra. If you have a kitchen scale, weighing the flour is best: start with 10 ounces of flour, equivalent to 2 cups of unsifted flour, slightly packed, and add more as needed. Though I always tell you that you can make fresh pasta dough by hand (because it is so easy!), here I recommend the food-processor method, to incorporate the greater amount of flour quickly.

Dress your fresh strangozzi with this meaty, multitextured sauce—ground veal and chopped chicken livers cooked in a tomato base—for a hearty dish that will delight carnivores and pasta-lovers simultaneously. This is also a great sauce to incorporate into risotto. If you are not enthusiastic about the flavor of chicken liver, use only 1/2 pound, for a subtle flavor boost. But if you love the organic richness of livers, as I do, use a whole pound. This recipe makes a big batch of sauce, so you can use half and freeze half (it will keep well for 4 to 6 weeks).

This is a fresh and extremely flavorful preparation for strangozzi. The dressing has two components, tender cooked Swiss chard and an uncooked pesto of fresh basil and mint leaves and toasted almonds. (Other leafy greens, such as spinach, chicory, and arugula, could be used, and walnuts could replace the almonds, but the recipe here is true to the region.) It is best to prepare the greens and pesto shortly before you cook and serve the pasta, but if you follow the recipe steps, the dish is actually quite quick-cooking and simple. It is only the multitude of tastes and textures that are complex and tantalizing!

Like pasta itself, tomato sauces for pasta come in endless varieties. This one gets a depth of flavor from vegetable pestata and good bacon. The recipe makes enough sauce to dress two batches of pasta. Use half on fresh strangozzi, and pack up half for a future meal: it will keep in the freezer for 4 to 6 weeks and will be wonderful on any pasta you choose.

Here’s a typically simple, rustic pasta from Umbria, which would be made with seasonal local leafy greens, both cultivated and foraged wild varieties. Although we don’t have many of the same choices as in Italy, there are plenty of suitable leafy greens available in our American markets now. Certainly chard, spinach, and common chicory are delicious in this dish, and young beet, collard, dandelion, mustard, or turnip greens would be good, too. Many dried pastas are delicious with this dressing of greens, and I particularly like dried egg fettuccine (with its extra richness and color); gemelli and orecchiette are also good choices. And I love homemade fresh gnocchi with this sauce, too.

Ascoli is a city in the Marche region known for its big green olives. They add a distinctive local flavor to this sauce of tomatoes and canned tuna, a pasta dressing found in many regions of Italy. If you can’t find Ascolane olives, other green Italian olives will do. Do not be afraid to alter some of the other ingredients to make your own version of this tasty sauce. For example, anchovies add complexity, but you could omit them if you choose. And though chopped parsley is fine, a little mint and/or a little oregano could go far. Also, do not feel compelled to use the exact pasta shape: I call for ziti here, but fusilli, shells, or mafalde could all add a new dimension to this dish.

This is a very flavorful rendition of pasta and clam sauce, a bit more complex than the one Aunt Anna made for me on my first visit to Le Marche. It can also be made with other seafood, such as shrimp or calamari, in place of the clams—just keep in mind the varying cooking times of whatever shellfish you use. If you are not in the mood for seafood, omit it altogether and double the artichokes. And who is to say that you can’t do this recipe with chicken breast? Just add slivers of breast meat before the artichokes, cook and stir for a few minutes, then proceed with the basic recipe.

Tortelli are filled pasta squares, like ravioli. These are the largest of the pasta shapes in this chapter—you need only eight to ten pieces per serving—and the simplest to make, too, since they need no twisting. Here I give you two savory tortelli fillings that I discovered in Emilia-Romagna. The techniques for making tortelli are the same for this cabbage-and-pancetta filling and for the chard-ricotta filling that follows (page 153). (You can also make tortelli with the fillings I give you for anolini, tortellini, and cappellacci.) As I often say, homemade pasta is so good that you need nothing more than butter (or extravirgin olive oil) and cheese to dress it. So, in the master recipe, I dress the cabbage-filled tortelli with just melted butter (as is customary in the north of Italy)—I would do the same with the chard-filled tortelli. You could also dress them with a light tomato sauce, such as the Romagnola (page 140) or my Marinara Sauce (page 384). And if you are making a meat roast or roast chicken for the same meal, the juices and drippings from the roasting pan would make a splendid dressing for your tortelli.