Parmesan

Pesto is a traditional pasta sauce, but it is also a delicious sauce for grilled vegetables and chicken, salads, and pizzas, and a perfect final flavoring to a bean and vegetable soup.

A panade is a thick soup made of layers of bread, vegetables, and cheese moistened with broth or water and baked until soft and golden. This onion panade is a hearty, homey soup bursting with sweet onion flavor.

Rocket and arugula are both common names for the spicy salad plant Eruca vesicaria, which has dark green, lobed leaves that taste nutty and peppery.

Risotto is Italian comfort food, a luscious dish of tender rice in its own creamy sauce. Considered by many to be labor-intensive restaurant fare, risotto is actually a basic one-pot dinner that pleases everyone. Risotto is made from starchy short-grain rice, which, when moistened with successive additions of stock, gains concentrated flavor and a distinctive saucy texture. Of the special short-grain varieties that have been developed in northern Italy specifically for risotto the best known is Arborio; others are Vialone Nano (an extra-short-grain rice), Baldo, and my favorite, Carnaroli. All these varieties have short, plump grains that can absorb a lot of liquid while retaining some textural integrity (the grains are said to have a good bite), with abundant superficial starch to make the risotto creamy. Because the rice for a risotto is cooked in fat before any broth is added, use a heavy pot, preferably stainless steel or enameled cast iron, or the rice will scorch too easily. Pick a pot with relatively high sides (but not so high that stirring is difficult and evaporation is inhibited) and a diameter that is wide enough so that when the raw rice is added it’s between one-quarter and one-half inch deep in the pot. The first step is to make a flavorful base of sautéed diced onions. The onion is cooked until soft in a generous amount of fat (usually butter, but olive oil, beef marrow, and even bacon fat are sometimes used). Once the onions are soft the rice is added and sautéed for a few minutes. In Italian this is called the tostatura, or “roasting.” The idea is to coat and seal each grain of rice. The rice will begin to sizzle and turn translucent, but it should not color or brown. At this point, some wine is added, for fruit and acidity. For 1 1/2 cups of rice, I use about 1/2 cup of wine, but I never bother to measure it exactly; I simply pour in enough wine to reach the top of the rice, without covering it. This works for any quantity of rice and is much easier than trying to make a calculation. Adding the wine before the broth gives it time to reduce and lose its raw alcohol flavor. Red wine or even beer can be substituted. When you are caught without a bottle of wine, a teaspoon or so of tasty wine vinegar added to the first addition of broth will approximate the acidity of wine. After the wine is absorbed, broth is added. I use light chicken broth most often, but vegetable, mushroom, and shellfish broths also make lovely risottos. Keep in mind that your risotto will only be as good as the broth you use to make it. Unseasoned or lightly seasoned broths are best. Many recipes say to keep the broth simmering (in its separate pan) the whole time the risotto is cooking. This isn’t necessary; in fact, I prefer not to. The longer the broth simmers, the more it reduces, and its flavor can become too strongly concentrated. I bring the broth to a boil while the onions are cooking and then turn it off. The broth stays plenty warm. The first addition of broth should just cover the rice. Adjust the heat to maintain a constant, fairly vigorous simmer. It is not necessary to stir constantly, but the risotto needs to be tended to frequently, and it certainly cannot be left on its own. When the level of liquid has dropped low enough that the rice is exposed, add more broth to cover. The broth should never be allowed to evaporate completely; the starch will coagulate and burn. Keep adding the broth in small increments; the rice should neither be flooded nor be allowed to dry out. Season the rice with salt early on. My personal rule is to salt the risotto when I make the second addition of broth. This allows the salt to penetrate the grains of rice while they are cooking. The amount of salt needed will depend on the saltiness of the broth you’re using. From the time the rice is added to the onion, a risotto takes 20 to 30 minutes to cook. Taste it often to keep track of the seasoning ...

Polenta is a very simple dish of ground corn cooked in water. It is exceptionally tasty and, like pasta, remarkably versatile. When first cooked, polenta is soft; as it cools, it becomes firm and can then be fried, grilled, or baked. Soft or firm, polenta is great next to roasted or braised meats, or sauced with a spoonful of tomato, meat, or mushroom sauce. For variety, fresh corn or fava beans can be stirred into soft polenta. Polenta can be turned into a luscious torta by layering it with cooked vegetables, cheese, and sauce. Whether ground from yellow or white corn, polenta is ground coarser than cornmeal but finer than grits. When fresh it smells sweet and looks bright yellow. Like all grains, it should be stored in a cool, dark place and replaced when old. Cook polenta in boiling water. The approximate ratio of water to grain is four to one. This will vary depending on the variety of corn, how coarse it is ground, and how fresh it is; each batch you buy may be slightly different. Choose a heavy-bottomed pot when cooking polenta to avoid sticking and burning; use a flame tamer if a heavy pot is not available. Bring the water to a rolling boil and add the polenta in a slow, steady stream while stirring constantly with a whisk. Turn the heat down and continue whisking for 2 or 3 minutes, until the polenta is suspended in the water and no longer settles to the bottom of the pot. (This helps keep it from sticking to the bottom of the pan.) Season with salt and cook the polenta at a bare simmer, stirring occasionally, for about an hour. The polenta will be fully cooked and softened after 20 to 30 minutes, but the longer cooking time allows its full flavor to develop. Be warned that the thick polenta is very hot, so be careful when stirring and tasting. I spoon a bit onto a small plate to cool before tasting. Polenta should have a pourable, creamy consistency. If the polenta becomes thick or stiff while cooking, add water as needed to maintain the proper consistency. If too much water is added by accident, and the polenta becomes thin and soupy, just keep cooking it to evaporate the water. Polenta will set up quickly if not kept warm, so turn off the heat and cover the pot to keep it soft and hot for 20 minutes or so, or hold it for a longer time in a double boiler or by setting the pot in a larger pot of hot water. Polenta can be finished with butter or olive oil and cheese to enrich it and add flavor. Parmesan is the classic cheese to stir in, but try others; fontina, cheddar, or pecorino for example. Mascarpone or blue cheese is a luxurious garnish to top a bowl of soft polenta. To make firm polenta, spread hot soft polenta evenly onto a rimmed baking sheet (it is not necessary to oil the pan). A depth of about one inch works well for most purposses. Let the polenta sit at room temperature or refrigerate until set. Don’t cover until it has cooled. The firm polenta can be cut into shapes to bake, grill, or fry. To bake, brush with oil and bake at 350°F for 20 minutes or until crisp. To grill polenta, brush it with oil and place on a grill over hot coals; to prevent it from sticking, make sure the grill is hot. To fry, use shallow or deep fat. Polenta will always set up when cooled, but both very thin polenta and polenta that has been finished with a lot of butter or oil can fall apart when grilled or fried. A polenta torta is made of alternate layers of polenta—either freshly made soft polenta or polenta that has already cooled and set—and sauce, such as tomato sauce, meat sauce, or pesto; cooked greens or other vegetables; and cheese. A polenta torta is a great make-ahead dish, ready to heat up any time.

Minestrone means “big soup” in Italian: a big soup of many vegetables. In order for them all to be cooked through at the same time, they’re added in stages. First a tasty soffritto (a base of aromatic vegetables) is made, long-cooking vegetables are added and moistened with water or broth, and the soup is brought to a boil, at which point the more tender vegetables are added. Dried beans and pasta are cooked separately and added at the end. The recipe below is for a classic summertime minestrone, followed by seasonal variations. The soffritto can be made of onions only but often includes carrots and celery. Fennel can be substituted for the celery when a more delicate flavor is wanted. Garlic is always added at the end of the cooking to ensure that it does not burn. Be sure to use a heavy-bottomed pot and lots of olive oil. For a more hearty soup, let the soffritto cook to a golden hue; for a less robust version, don’t let the vegetables color at all. Either way, the vegetables should be cooked through to give the soup the full benefit of their flavors; this will take 10 minutes or more. They’re done when they look and taste good enough to eat on their own. The vegetables added after the soffritto—such as squash and green beans—are cut into pieces small enough to ensure that each spoonful of soup will contain a mixture. They’re added sequentially, according to the length of time they take to cook through without getting mushy. Greens need to be cut into bite-size pieces, too; if they’re cut in strips they can hang down and dribble hot soup on your chin or your clothes. Winter greens such as kale or chard take longer to cook and should go in with the first group of vegetables. Tender greens such as spinach will cook in just a few minutes and should be added towards the end of cooking. Salt the soup as it cooks; this will intensify and improve the flavor as a last-minute salting cannot. Dried beans—and pasta, if you’re using it—should be cooked separately before being added to the soup. Save the bean cooking liquid; it adds flavor and body to the soup. The cooked beans should be added during the last 10 minutes so they have a chance to absorb flavor, but not overcook. The pasta should be added at the very end so it doesn’t overcook and get bloated and flabby. To preserve its fresh flavor, the garnish of olive oil and cheese should be added to the bowls of soup, not to the pot. I always pass a bowl of grated cheese and a bottle of olive oil at the table.

My dad used to hunt, and quail was his favorite game, so grilled quail regularly appeared on our dinner table. When pressed for time, my mom would marinate the quail in store-bought Italian dressing spiced up with chile powder, grill it, and serve it as an appetizer followed by carne asada. In this recipe, I create the marinade from scratch, with just the right amount of chile powder. Squeeze a lime over the quail and don’t be afraid to eat it with your hands—it’s messy but delicious! This marinade is also great with chicken.

I’ve given an American Southern staple an Italian spin with the addition of Parmesan. The cornmeal makes these biscuits sturdy enough to pack on a picnic, and you can stuff them with smoked salmon (my fave), sliced turkey or ham, or even grilled veggies. Hot out of the oven, they are pretty terrific with just a bit of lemon butter.

Of all the recipes I’ve done for Giada at Home on TV, this one has been the biggest hit with both viewers and my crew. I’ve always said that if you want to get kids (and picky adults) to eat something, bake it with marinara and cheese and they’ll be demanding seconds. You’ll be happy because they’re eating lots of healthy veggies, they’ll be happy because it tastes awesome, and as an added bonus, your kitchen will smell fantastic, too. Use any vegetable that you love or have on hand in this dish; it’s very versatile.

You always need a simple, elegant green salad in your repertoire. What I love are the buttery and cheesy crostini, so you get your healthy, leafy vegetable with a little indulgence.

There are only so many plain green salads anyone can eat. I remember having a mushroom salad with plenty of parsley in it in Rome and the herby, earthy combination was just the right balance of light and substantial. It makes an unusual and very tasty counterpoint to any kind of roasted meat.

Cutlets cooked à la milanese—breaded in a cheesy crumb coating and pan-fried until crisp—are popular in every part of Italy (and here, for that matter!). They are usually made with veal, but my little aunt Carolyna wanted something she could serve her college friends, many of whom don’t eat veal. So I substituted chicken for the veal and added fennel to the quick pan sauce in this dish I devised for her; it is quite light and fresh-tasting, yet still true to the original.

Other than in Tuscany, where the thick-cut steak fiorentina reigns supreme, you won’t find a lot of simple grilled steaks in Italy. Instead, Italians tend to serve their beef pounded thin and braised in a flavorful sauce. Pounding is a good way to tenderize a tougher (and less expensive) cut of beef such as London broil, and the cheesy stuffing here adds lots of flavor. Plus, I find that everyone, especially kids, enjoys the surprise of discovering the rich, melted filling inside these cute little breaded rolls. I know I did when I was a kid . . . and I still do!

This is a dish typically found in the Lombardy region of Italy, or in the Veneto. The extra-creamy consistency of this risotto belies its bold flavors: each super-rich bite is woodsy and earthy all in one. Because it’s so rich, a small portion makes a big impact. I serve it with a simple side salad and a full-bodied red wine, such as a Barbera.

This dish has become very popular on restaurant menus, because it seems extra-special—and tricky to make at home. Special it is, but in fact it’s quite easy to pull off, as it uses frozen lobster tails—no live lobsters to boil. The key is to brown the butter well for a deep, nutty flavor.

We think of mac and cheese as a true-blue American invention, but this homey dish, made with nutty farro, is actually very traditional. Farro is one of the first cultivated grains and was ground to make bread, cereals, and pasta in ancient Italy. It’s becoming more popular in this country, but you still may need to visit an Italian specialty store to find it. Use it in salads, pilafs, and soups as you would use barley, which is also a good substitute for farro.

The sauce for this pasta is really a simple fresh salsa, and if you are making it in the summer months, feel free to substitute two or three diced beefsteak tomatoes for the canned. It is just as good at room temperature as it is served hot, so it can be made ahead of time—perfect for large get-togethers and buffet-style parties. The sliced steak turns this dish into a meal. I’m seeing smoked almonds used more and more in Italy and I have fallen in love with the deep flavor they add; however, as they are quite salty, when I use them in a dish I reduce the amount of salt I would normally add.

Treviso is a leafy vegetable found all over northern Italy, especially around Venice. It looks like a cross between romaine lettuce and radicchio, whose burgundy color and slightly bitter flavor it shares. I like to wilt treviso and then add it to pasta with some creamy goat cheese to mellow its bitterness.