Potato

Although it may seem like a complicated restaurant dish, bouillabaisse has simple origins in the French seaport city of Marseille, where there is an abundance of freshly caught seafood (and an aversion to waste). Julia Child defined it as a “fisherman’s soup, made from the day’s catch,” or from its leftovers. What it actually consists of depends on whom you ask. A pot will typically have at least four types of fish (some insist on no fewer than seven) and a roster of regional ingredients, notably fennel, garlic, saffron, tomatoes, orange zest, and olive oil. Purists would insist on using fish only from the local (Marseille) waters and absolutely no shellfish, while others take a more liberal approach, improvising here and there but basically sticking to the same formula. Most everyone agrees on the required accompaniments: rouille and croutons made from a crusty baguette. The process for making the stock, which is similar to a classic fish fumet (page 55) but with Mediterranean flavors, takes little time; since it gives the finished dish its rich flavor, don’t skimp on this step. Rouille is a variation of mayonnaise (page 95), with spices, garlic, and fish stock for added flavors as well as bread for a rustic texture. It has a tawny color from the addition of saffron (hence its name, which means “rust” in French).

This stew is a variation on the well-known French favorite, boeuf bourguignon, also made with mushrooms and onions; here, stout replaces the red wine, but you could make the stew with either. There are a few steps that help enrich the flavor of this dish, all of which are classic in making some stews. First, lardons are cooked to render their fat for use in subsequent steps (they are added to the stew at the end, too). Next, the beef is browned and the pan deglazed to incorporate all of the tasty bits. Then, a bit of Dijon mustard is stirred into the aromatics. For even richer flavor, you can add about a half cup of glace de Viande (page 52) along with the stock. The stew is thickened with a small amount of flour and by simple reduction; that’s why the lid is kept partially askew while the stew simmers, to allow some moisture to escape. Buttery noodles make a perfect accompaniment, as they soak up some of the flavorful broth, while julienned carrots and freshly grated horseradish add fresh flavors—and a little textural contrast—to the otherwise rich dish.

Like many favorite comfort-food dishes, pot roast was born of frugality. Here was a dish based on inexpensive cuts of meat and basic root vegetables, cooked together in the same pot, that could be stretched to make meals for days to come. Many fans of pot roast think it tastes even better the next day, so it’s also a good make-ahead option for a big gathering. This particular recipe calls for less liquid than other, more typical braises; here, the water will reach only about 1 inch up the sides of the roast, instead of halfway. With less liquid in the pot, you’ll need to watch it more carefully, and turn the roast more frequently, but you probably won’t need to reduce the sauce in the end or add much thickener (only a tablespoon or so of flour). A common frustration of many new cooks—and even some experienced ones—is that their pot roast turns out stringy or dry. It could be that the meat is too lean, causing it to dry out quickly; this is why it’s important to buy a cut with fat marbled throughout the flesh. A loose-fitting lid might also be the culprit, because the cooking liquid will have evaporated. The cooking liquid should remain at a constant, gentle simmer, rather than a rapid boil—lower heat melts the collagen into gelatin more effectively. It might seem counterintuitive, but a dry or stringy pot roast could also result from undercooking, not overcooking, the meat. In fact, one of the beauties of braising is that it occurs at such a low temperature that it’s fairly difficult (and takes quite a long time) for the meat to overcook.

Perhaps the best known cold pureed soup, vichyssoise is a simple puree of potato and leeks that is traditionally enriched with cream; adding a bit of buttermilk along with the cream gives this version a pleasant tangy flavor. Here, leeks serve as both an aromatic, replacing the onion, as well as one of the base vegetables. Garlic is typically not used. The amount of stock or water called for is also reduced, since both cream and buttermilk are added. If making the soup for company, buy an extra leek to prepare the Leek Frisée (page 75) for the garnish.

The onion can be substituted with one leek or two large shallots (this is true for the variations, too) and the spinach with other leafy greens, such as chard, kale, watercress, or sorrel. For a soup with brighter color, the leafy greens are added in the last five minutes of cooking, just so they are given a chance to wilt.

Vegetable stock is an essential ingredient in many vegetarian soups, but it also provides incomparable flavor to many well-loved vegetable (but not necessarily meat-free) soups such as this one. Minestrone has become so familiar in the American kitchen that it might be easy to forget its Italian origins. But the name—minestre is the word for soup, while the suffix (-one) indicates bigness—hints at its universal appeal as a simple pantry-based soup that is also hearty and substantial. The foundation of flavor, called a soffritto, is a common element in soup-making: a trio of celery, carrots, and onion is sautéed first, then stock and more vegetables are added and slowly simmered to coax out their flavors. Beans are what distinguish minestrone from other vegetable soups; the type varies by region, as does the addition (if any) of pasta or rice (this version has neither). The beans are also what give the soup such heft, making it a good option for a meatless one-pot dish (if you leave out the prosciutto) that can stand as the centerpiece of any casual dinner. The beans need to soak overnight in the refrigerator, so plan accordingly. Then they need to boil for at least a half hour, so use that time to prepare the rest of the ingredients for the soffritto and soup.

In the Pizzeria kitchen we refer to this as the “breakfast pizza” because of the traditional combination. We don’t cut through the egg because the whole egg looks pretty in the center of the pizza when we bring it to the table. And that way our customers can have the thrill of breaking the yolk themselves.

This was one of the original ten pizzas we served at the Pizzeria. I knew I wanted to offer a potato pizza, and I love the combination of potatoes and Gorgonzola.

When people talk about good gnocchi, you always hear about how “light” they are, but I find that just because gnocchi are light doesn’t mean they’re good. More often than not, gnocchi taste and feel to me like boiled mashed potatoes or mushy dumplings. It wasn’t until I had good gnocchi, which, in addition to being light, had some texture and springiness to them, that I realized how good they could be. Matt worked really hard to ensure that our gnocchi had those qualities. This dough is very starchy and sensitive, so the gnocchi must be formed and served the same day the dough is made. You must use russet potatoes.

I order octopus every time I go to Babbo and have done so since long before I partnered with Mario and Joe, so when Mozza came about I knew I wanted to include an octopus dish on the Osteria menu. Most people’s experience of octopus is eating it raw at sushi bars, and we all know how chewy it can be, but, like Mario’s version at Babbo that I love so much, ours is tender and not at all rubbery. That tenderness doesn’t come without considerable effort, but as much effort as it is, the finished dish is certainly worth it. It’s our most popular non-mozzarella antipasto. In Italy people do all kinds of things to tenderize fresh octopus. They pound it with a meat pounder, they hit it with hammers, they throw it against rocks. Matt’s solution is to start with frozen octopus; freezing helps break down the octopus’s flesh the same way that pounding it does. He then sears the octopus, poaches it in olive oil, marinates it, and, lastly, chars it in a wood-fired grill. The wine cork in the recipe is something we do on Mario’s orders. He claims that in Italy they say the wine cork tenderizes the octopus. I think it must be an old wives’ tale, but it doesn’t hurt to throw it in there, so we do. Note: This recipe requires a huge sacrifice of oil. You can keep the oil and reuse it once to make the octopus again within a week.

The summer before we opened Mozza, Matt came to stay with me at my house in Italy. We went to a luncheon at the Tuscan winery Arnaldo Caprai, where we were served rosemary-scented potatoes that inspired these. Smashing the potatoes gives them more surface area, which means more crispy bits—my favorite part.

Mantecato means “churned,” and bacalà mantecato, essentially an Italian version of French brandade, is salt cod potato purée. We started making these crostini to use the salt cod we had left from the Bacalà al Forno (page 215) at the Pizzeria. It’s so popular that we now make extra salt cod for this dish.

These British scones, created by the mother of Martha Stewart Living design director James Dunlinson, resemble small, thick pancakes.

Fingerlings are grown in yellow, pink, and blue varieties. For a special touch, use an assortment of them. Any small potatoes will work just as well as fingerlings.

You will need about 2 medium sweet potatoes to obtain 2 cups cooked flesh. We like the flavor of roasted potatoes best, but you could also use boiled or steamed potatoes. Before using, peel and discard the skins.

These are best eaten slightly warm.

We made this flan in a 4-cup savarin mold, but a 9 × 2-inch round cake pan or a 9-inch glass pie plate can be used as well.