Beverages

This recipe makes good use of a bone-in cut that takes very well to braising. The ribs are marinated overnight in red wine to give them a deep flavor, then the marinade is reduced to a sauce that glazes the meat. You will need to start with more liquid than in other braising recipes, to avoid having to turn the ribs frequently during cooking, but this leaves excess liquid that must be reduced separately later, before it can be used for glazing (all that reducing is advantageous, since it concentrates the flavors for a rich and unctuous sauce). To do this, use a technique called depouillage, whereby the pan is placed off-center over the burner as the liquid simmers, allowing the impurities to collect on one side for easy skimming and discarding.

Deep frying works best for smaller pieces of fish (and chicken), since they will cook through before the crust has a chance to darken too much. Most any type of coating will do, but beer batter is favored for its puffy yet sturdy crust. The beer’s effervescence produces a lighter texture than those made with other liquids (such as buttermilk) and imparts subtle flavor, depending on the type of beer used (the dark beer used here will be more perceptible than lighter lagers). You can alter the flavor by whisking dried herbs (dill is great with fish), ground dried chiles, and other seasonings into the dry ingredients. This batter also makes a nice choice when coating shrimp, chicken tenders, and onion rings. Pair the fish with French fries (page 333) and serve with malt vinegar and salt for authentic pub-style fish and chips. Or make Baja-style tacos de pescado, or batter-fried fish tacos (page 276).

This recipe employs many classic techniques of braising. To finish the sauce, the liquid is first reduced (a common thickening method) and then a secondary thickener called a beurre manié, a mixture of flour and butter, is added. Beurre manié can be added to most any sauce that seems to need a bit more body. And since the flavor of pork pairs well with apples, hard cider is used to braise the meat. For variation, the standard French mirepoix of onion, carrot, and celery is replaced with parsnip, celery root, and leek. If you don’t have a pot with a tight-fitting lid, cover your pot with aluminum foil lined with parchment paper and then the lid (you can even use the lid from another, similar-size pot or pan). Check 30 minutes after placing the pot in the oven to make sure that the liquid is gently simmering; if not, raise the temperature by 25 degrees, return the liquid to a boil on top of stove, and return the pot to the oven to finish cooking. (If vigorously boiling, decrease temperature by 25 degrees.)

Not all sauté recipes start with dredging the meat in flour. Instead, this recipe demonstrates how meat can achieve a nice sear simply by relying on the high heat of the pan (and a little science, called the Maillard reactions; see page 126). To encourage browning, you must make sure the meat is dry, as moisture will hinder the process. First, pat the meat dry with paper towels and wait to salt it until just before cooking (since salt will draw the juices to the surface). The sautéed meat will leave golden-brown bits behind, so you’ll want to deglaze the pan and incorporate them into a pan sauce. This one is made with a fragrant combination of brandy, shallots, apples, and raisins (all good partners for pork) and finished with cream, which thickens as it simmers, giving body to the sauce.

Fumet is a white stock made from fish bones and aromatic vegetables, which are first “sweated” (cooked until soft but not taking on any color), then simmered in water. That initial step is a crucial building block, eliciting a touch of sweetness from the leek and developing the flavors for the next step, though it will produce a stock with less clarity than when the aromatics are simply brought to a boil with the rest. (To achieve that result, follow recipe for Basic Chicken Stock on page 41, bringing the fish bones and heads to a boil, then adding vegetables, bay leaf, and peppercorns and simmering 30 minutes before straining.) With its concentrated flavor, fumet is ideal for making fish soups and stews, or for steaming shellfish, such as the Clams in Herbed Broth on page 219. Like other stocks, fumet can be altered for different effects. Increase the ratio of bones to water and you will have a stock with more pronounced fish flavor. For a Mediterranean-style stock, chopped garlic and fennel (and its fronds) can be sweated with the other aromatics, then crushed tomatoes, crumbled saffron, and a few parsley stems added and simmered in the pot along with everything else.

One of the best reasons to make your own basic brown stock is that it means French onion soup from scratch is within easy reach. (You can also make the soup with white beef stock, page 42.) Like many other bistro classics, French onion soup has humble origins as a staple of thrifty households, where a pot of stock—itself born of frugality—was the foundation for many family meals. Even those with limited resources could make soupe a l’oignon since it calls for little else: pounds of inexpensive and readily available onions, a crusty baguette (providing a way to use up day-old bread), and a chunk of sharp Gruyère cheese, grated to turn a little into a lot. Because there are so few components, each one is enhanced in some way to contribute to the final dish. The homemade stock provides both color and robust taste, as well as ensuring a silky consistency. Caramelizing the onions gives them a wonderful sweetness (and more dark brown color). Toasted bread adds a textural note, while gratinéed cheese introduces another pleasing component. Similar to the burnt-sugar shell atop crème brûlée, the molten, golden crown invites tucking into with a spoon. This recipe can be halved, but since the soup freezes well, it is worth making the full amount.

Brown stock gets its color—and its flavor—from the initial step of roasting bones and vegetables, often with a bit of tomato paste added to promote browning and impart a caramelized flavor, as well as a touch of acidity. After the contents of the pan are transferred to a stockpot, the pan is deglazed (either with water or red wine) to incorporate all the flavorful browned bits, which then, too, get added to the pot. In classical French cooking, brown stock is made with veal bones to produce a delicate-bodied soup. In the recipe that follows, beef is added for deeper flavor, but you can replace the beef with more veal bones (or veal stew meat) for the traditional version. Brown stock can also be made with chicken (see variation); this would be ideal for using in more robust dishes, such as braised meats. Heed the general rules for making all stocks, including simmering very gently, skimming frequently, and keeping enough liquid in the pot so that everything is submerged at all times. Brown stock is also the basis for other classic preparations, including demi glace and glace de viande (see page 52).

For this dish, we braise squid in red wine and orange rind. The rind gives the sauce a slight bitterness that can seem overwhelming until you eat it on crostini with a dab of mayonnaise, and then it all comes together. We serve it as a condiment for pasta in the Osteria, which would be a perfect use for leftovers because when dressing pasta, a little goes a long way. We use calamarata, a short ring-shaped pasta that mimics the shape of squid rings, or paccheri, a long, tubular pasta that flattens when it cooks.

What I like most about this mussels preparation is that they are not simply steamed in white wine, like the vast majority of mussels you see in restaurants. We cook them with a light tomato sauce—and, yes, also white wine—and toss in piles of herbs after the mussels are cooked, so the herbs wilt only slightly. The finished dish manages to be original and familiar at the same time. It also couldn’t be easier to make.

Whoever named sweetbreads had an ingenious idea—to give such a nice-sounding name to a part of the animal, the thymus gland, that doesn’t sound all that appetizing. I’ve found that despite the clever name, otherwise open-minded eaters are often squeamish when it comes to eating sweetbreads—a shame, since they can be out of this world. These are seared so they have a crisp exterior and creamy interior. Sweetbreads and artichokes are a pretty typical Italian pairing, and one that I love. While this isn’t a difficult dish to make, it does require several steps, so plan ahead.

Think of this dessert as sweet, crunchy rice pudding–filled ravioli. It is composed of many elements, none of which are difficult to make and all of which, apart from the frying, can be prepared in advance. But you need to plan ahead and make the various elements in stages. To make the sauce, look for quality, plump raisins, such as flame raisins, a moist and flavorful variety that we find at our local farmers’ markets. We use cannoli dough in this recipe, which gets really crisp and blistered after it’s fried. We run the dough through a pasta sheeter, but if you don’t have one, you can roll the dough thin using a rolling pin on a lightly dusted surface. You will need a 3-inch square cookie cutter (preferably fluted) to make these.

One of my favorite daytrips from my house in Italy is to the town of Panzano in Chianti, to visit the world-famous butcher Dario Cecchini. Dario has been covered by every food publication imaginable, and since Bill Buford wrote about him in his memoir, Heat, Dario’s shop has become a mecca for foodies traveling in Italy. To meet the demand of his fans, Dario now has three restaurants that people can visit while they’re there: a steakhouse serving prime cuts, such as bistecca fiorentina, a classic preparation of a T-bone or porterhouse grilled over a wood fire; a hamburger restaurant, Dario Plus; and my favorite of the three, Solo Ciccia. This restaurant, whose name means “only meat,” offers lesser cuts of meats prepared in a variety of ways, many of them cooked long and slow, or stracotto, like this dish. Veal breast isn’t something you’ll find at your average grocery store, so you’ll have to get it from a butcher, and you will probably have to special-order it. Ask the butcher to save the bones he carved the breast from, as you’ll use those to make the stock in which the meat is braised. While you’re at it, have him roll and tie the breast for you, too. Even though this might be out of your ordinary shopping routine, the good news is that you’ll end up with a rich, luxurious veal dish for not a lot of money.

We “borrowed” this recipe from our friend and Italian culinary mentor, Lidia Bastianich. Since it is an Italian tradition to pass recipes down through the generations of a family, and since Lidia’s son, Joe, is one of the three partners who own Mozza, we felt that this was not just okay but also the Italian thing to do.We hope Lidia feels the same way.

In the last few years, it seems like there have been two requirements to opening a successful restaurant in Los Angeles. You have to offer a selection of decent wines by the glass, and you have to offer braised short ribs. You see short ribs served on the bone and off the bone; cooked with Indian spices, Asian spices, and Latin American spices; and served over mashed potatoes, polenta, and who knows what else. I don’t roll my eyes when I see them on a menu because I know how good they can be. Once they’re cooked, they’re good for a few days, so they’re convenient for the home cook. Braise them today; reheat them tomorrow. In the Italian spirit of not wasting any bit of food, shred the leftover meat to make Francobolli di Brasato al Pomodoro (page 177).

I love alcohol-flavored gelato because the alcohol cuts the richness of the dairy and also allows the gelato to get super-cold. But because alcohol doesn’t freeze, if you add too much to the gelato it won’t freeze at all. After making many versions with varying amounts of booze, we determined that the recipe below contains the maximum amount of alcohol that will freeze in a home ice cream maker. If it’s still not boozy enough for you, do as I do: drizzle a few drops of bourbon over the top.

Prior to his working at Del Posto, Matt went to Italy with Mario for a story for Gourmet. The premise of the story was that Mario was taking his chefs and the general manager from Del Posto to Italy, specifically to the center of Emilia-Romagna, to show them what it was like to eat there. They ate sixty-two courses in five days and Matt had a lot of dishes to talk about, but the one he was most excited about was the ragù bolognese he had at Diana, a restaurant just outside the main piazza in Bologna. It was as if his eyes had just been opened. He called me right after that meal: “It was rich but delicate and with a touch of sweetness,” he told me. When they got back to New York, while Matt was relegated to the soup station of the kitchen, Mark Ladner and Mark’s team at Del Posto attempted to create a bolognese that captured the spirit of the one at Diana. When Matt tasted Mark’s version, he called me again, excited: “They did it!” he said. “They nailed it.” And that— the Del Posto version of the Diana bolognese—was what Matt was going for when we opened Mozza. Having eaten at Diana myself, I can also tell you that Matt nailed it. When making bolognese, the most important thing is to go slow. You never want the meat to cook directly against the pan, because you want to braise the meat, not brown it. The “secret” to it is the Soffritto, which takes several hours to make—so give yourself time. This is slow food!

This refreshing cocktail is a play on the traditional British cocktail, Pimm’s Cup, made with gin instead of Pimm’s.

This cocktail is named after the brand of amaro, or bitters, that we use to make it. You could use another bitters if you can’t find Meletti.

We serve this rich, meaty ragù alternately with gnocchi (page 172) and pici (page 168). When the ragù is tossed with gnocchi, the flavor becomes like a rich and delicious meat-and-potatoes dish. It manages to be exotic and familiar at the same time. We use only duck legs and not the whole duck because the meat from the legs is more moist and lends itself better to long cooking. You will probably have to special-order the legs from your poultry purveyor, so when you do, make sure to ask for the livers, too. Alternatively, you can make this ragù with one whole duck, cut into pieces. Not only will this be easier to find but also you’re guaranteed to get the liver with it.