Soup/Stew

R. B. has discovered from his guitar teacher, Wayne Avers, that playing music is a lot like cooking. A solid background in fundamental scales and chords is the key ingredient for intuitive playing. As with cooking, the more you can take advantage of a basic, well-stocked pantry, the better prepared you are for cooking on the fly. For tortilla soup, a regular two-timing favorite, we have on hand onions, potatoes, celery, and carrots and cans of tomatoes, beans, and broth. With these ingredients, some seasonings, and some cheater meat, you’ve got dinner. Go lighter on the chipotle peppers for a milder flavor.

Goulash may not sound flashy or stylish, but it offers lots of room for creative leftover cheating out of the vegetable crisper drawer or the freezer. Cheater beef chuck is the delicious traditional choice for goulash, but Ultimate Cheater Pulled Chicken (page 85) or Ultimate Cheater Pulled Pork (page 54) make a respectable soup. The secret to goulash is the combination of sweet slow-cooked caramelized onions with traditional pungent Hungarian paprika or a little Spanish smoked paprika. Keep most of the paprika on the sweet side, or the soup will go from zero to sixty too fast for tender palates. Serve with a loaf of good crusty bread.

Posole (pronounced poh-SO-lay), a Mexican soup adopted by northern New Mexico, is all about the hominy—bloated corn kernels softened with an alkali. Purists will cook their own from dried corn, but canned hominy is a terrific pantry staple for making a quick soup. Pork is the traditional meat for posole, but we like it with cheater chicken and beef as well. Serve posole in big bowls with a side of thinly shredded cabbage, diced onions, chopped tomato, a crisp tostado to crumble in the soup, and a lime wedge. Punch it up with a little hot sauce. Every time we make a batch, Min always says we should make this more often.

This stovetop stew is a loose interpretation of the three-day beachside fest known as the New England clambake, that picture-perfect steaming seaweed pit immortalized each August by every shiny food magazine. How do all those beautiful people stay so crisp and clean after digging a sand pit and hauling rocks? One summer, on the beach in Charlestown, Rhode Island, we were actually asked by the crew of a popular food television program to stay out of camera range until they finished a shoot. Our cluttered site didn’t convey casual flawlessness. Rhode Island Clambake in a Bowl is not only less work, it’s a much cheaper cheater because we’re skipping the lobster. Instead of a plate of steamed seafood with a little piece of corn on the cob, a sausage link, and a stray potato, this stew is meant to be served in bowls, with bread for sopping up the clam broth.

Min’s uncle Mike and aunt Mary of Belen, New Mexico, spend their free time on the banks of the Rio Grande in the little resort town of Truth or Consequences. The town’s name change from Hot Springs occurred back in 1950 when Ralph Edwards, host of the popular radio show, announced that, to celebrate the show’s tenth anniversary, Truth or Consequences would broadcast from the first town to rename itself after the show. Forward-thinking civic leaders jumped at the opportunity for free publicity and to instantly differentiate their town from the hundreds of other Hot Springs across the country. The name change vote passed and Ralph Edwards became a town hero. Now, everybody just calls it T or C for short. After a day relaxing with high-speed toys on the nearby Elephant Butte Reservoir, Mike and Mary regularly welcome a brood of sunburnt kids and friends with a patio barbecue. Elaborate cooking is the last thing on anyone’s mind. This throw-it-all-in-the-slow-cooker chili pork barbecue (or try it with beef chuck roast) lets Mary have as much fun as the rest of the gang. Serve the meat with warm tortillas, guacamole, shredded lettuce, onions, and plenty of Pecos Pintos (page 147).

The swineherd, like the shepherd, conducts his life significantly all’ aria aperta—out-of-doors. It is there that he naps and forages, tends to his fires, capriciously bathing himself and one part or another of his clothing in an often swift and single maneuver. He might also cook up some wonderfully scented stew of wild mushrooms or one of dried beans and just-gathered grasses and herbs, as supplement to his staples of cheese, honey, bread, and wine. More than once, though, we took note of purposeful midday couriers visiting a swineherd in the pasture, carrying a basket full of components for him to cook a fine feast of a lunch midst his charges and under the sun. We learned, too, that, once in a while, the swineherd cooks for his family, his friends. Here follows a version of a dish as it is prepared by a young Sard herdsman when he slaughters a pig for market. Staging a torchlit supper in his meadow, he braises a haunch of the animal for his neighbors. Its formula was told to us by his wife, she having cooked it for us on the farm where we stayed near Sassari.

A dish old as the ages, one that pungently depicts the Sards’ seminal appetite for the long bathing of fish or game in some puckerish sauce is burrida. Traditionally prepared with gattucci di mare—sea catfish—the sauce is enriched with the pounded raw livers of the fish. Here follows a version using orata—red snapper—or coda di rospo—monkfish—though river catfish can also be called upon with fine result. Present the burrida as an antipasto or a main course to savvy, unshy palates.

Glorious Selinunte was raised up seven centuries before Christ and named by the Greeks after the wild, celerylike plant selinon, which then blanketed its riparian hills that fell to the sea. For us, the rests at Selinunte, more than any of the other Greek evidences, are the masterworks transcendent on Sicilia. There one can enter the great temples rather than stay, dutifully, achingly, behind a cordon. Hence, the temples there seem more familiar. One can remain, for a while, in the company of the old gods, to see the light change or to watch four chestnut horses, a newly foaled colt, and a fat, fluffy-haired donkey roaming over the fallow of broken marbles as though it were some ordinary meadow. One can eavesdrop on the discourse between two white doves until the silence comes—piano, pianissimo, save only the whisperings of wings. Some of the people we met who live in Castelvetrano, near Selinunte, spoke to us of a soup they remembered their grandmothers and aunts having made from a selinon-like plant that grew along the coast. They remembered it being smooth and cold, with a strong, almost bitter sort of celery flavor. Alas, neither selinon nor other wild grasses of its ilk are to be found. But prompted by our friends’ taste memories and our own sweet keepsakes of Selinunte, we fashioned this satiny, soothing soup to be offered on the warmest of days.

It is fitting that on a most divine jot of the Tyrrhenian coast, on a promontory between the limpid gulfs of Sant’ Eufemia and Goia Tauro, there would glint the small, golden precinct of Tropea. Fitting, too, that there in its rich, black fields would be raised up Italy’s sweetest onions, and that they be long and oval like great lavender pearls. One peels them and sets to, with knife and fork, a dish of sea salt, a pepper grinder, and a tiny jug of beautiful oil, a perfect lunch with bread and wine. Too, we saw the folk of Tropea simply fold back their papery skins and eat them raw, out of hand, layer by layer, like a magical violet fruit. Sometimes, one finds them all softened, smoothed into a delectable potion made of garlic and bay leaves and white wine. Evident in its resemblances to French cousins, the soup of Tropea, though, is a minestra strepitosa—a magnificent soup—say the Calabrian cooks, belittling the goodness of the French soup. Here follows a version that softens the garlic, caramelizing it into sweetness with the slow cooking of the onions, before the illumination of the soup with red wine and grappa and the finishing of it with pecorino and a heavy dusting of fresh pepper.

A medieval fastness above the Mar Tirreno, Guardia Piemontese is a thirteenth-century village raised up by a band of French-descended, Waldensian heretics in flight from papal justice. Pursued into the pathlessness of Calabria, they resisted the Church’s soldiers then and again and again. Two hundred years had passed when, flush with the dramas of the inquisizione, Pius V dispatched a brigade up into their serene agrarian midst, calling for, in the names of Christ and the Holy Ghost, their massacre. Those few who escaped the flailing of the Church’s swords stayed. And those who were born of them stay, still, speaking a Provencale dialect and celebrating the traditions of French country life, gentling their patch of the earth as though time was a stranger. Too, they are true to their own and simple gastronomic heritage, having obliged no transfusion of the coarser Calabrian kitchen. Here follows a thick mountain soup, so like a Béarnais garbure (a thick cabbage soup from Béarn) even to the blessing of its last smudges with red wine as the French are wont to do à la faire chabrot—pouring a few drops of red wine into the last spoonful of soup, stirring it up and getting every last drop as both a blessing to the cook and a thank-you to God.

Horace, born Quinto Flacco of freed Roman slaves in the sleepy village of Venosa in the north of Basilicata, was educated in Rome and Athens in philosophy and literature and trained as a soldier. It was his poverty, though, that piqued him to write verse. A satirist, a classicist, a romantic, Horace was also a dyspeptic. He sought cures from alchemists and magicians. He journeyed to Chiusi (an Etruscan town in Umbria, fifteen kilometers from our home) to sit his ailing bones in icy, sulfurous baths. But it was this soup of dried peas and leeks, a food of his childhood, to which he paid homage in his works as his only cure. The folk of Venosa present, having little else to claim, make the soup in every osteria and taverna, each cook armed with at least one trucco—trick—that makes his soup the one and only true one. Here follows mine, its only trucco its artlessness.

A sort of Lucanian stone soup, this is from Basilicata’s long repertoire of dishes built from almost nothing at all. Once the sustenance of shepherds who could concoct the dish with a handful of wild grasses and the simple stores they carried, too, it was often the family supper of the contadini—the farmers—whose ascetic lives asked that each bit of bread nourish them. I offer it here as balm, a pastoral sort of medicine, one of the thousand historical, wizened prescripts known to soothe and sustain.