Soup/Stew

Hoppin’ John is the must-have dish for southerners on New Year’s Day; it’s widely believed that if you eat black-eyed peas on that day, you’ll have good luck all year. This a great dish for a crowd and can definitely be prepared ahead of time. Since the black-eyed peas need to soak overnight, start this a day in advance. Serve with my variation on Mr. Beard’s Cream Biscuits (page 54).

There is a small but distinguished group of seafood and tomato dishes, from the Provençal soups with their croûtes and brick-red rouille to Portuguese soup-stews reeking of garlic. With those dishes as a starting point, I spent some time working on a soup of tomato and crab. After making several versions that were too thick and rich, I took the step of bringing chile and lemongrass into the proceedings to add a breath of freshness and vitality. This is a bright-tasting soup that sings with the sweet heat of chile and crustacean. To add enough substance to treat it as a main dish (when this recipe will serve 3 or 4), I introduce a last-minute addition of bean shoots or maybe some shredded, very lightly cooked snow peas.

A good soup for a spring day, bright green and not too filling.

It’s late March and green leaves as sharp as a dart are opening on the trees that shield this garden from the most bone chilling of the winter winds. The mornings are still crisp. You can see your breath. Stew weather. Unlike carrots, rutabaga becomes translucent when it cooks, making a casserole the glowing heart of the home.

The first time I included pumpkin in a coconut-scented laksa was for a Bonfire Night supper in 2004 (see The Kitchen Diaries). The soup had to be sensational to make up for our distinct lack of fireworks (I think we wrote our names in the air with sparklers). Rich, sweet-sour, mouth-tinglingly hot, and yet curiously soothing, it had everything you need in a soup for a frosty night. There is much pleasure to be had in the constant tweaking of a recipe to change not its essential character but its details. And so it has been with this soup. I have since gone on to remove the tomatoes or add some shredded greens as the mood and the state of the larder take me. Such improvisations, many made at the last minute, need to be done with care: you don’t want too many flavors going on. Vietnamese soups such as this are traditionally ingredient rich but should never taste confused. By the same token, to simplify it too much would be to lose the soup’s generosity and complexity and therefore its point. The laksa appears complicated at first but in practice it is far from it. Once you understand the basics, the recipe falls into place and becomes something you can fiddle with to suit your own taste. The basic spice paste needs heat (ginger, garlic, tiny bird’s eye chiles); the liquid needs body and sweetness (coconut milk, rich stock); the finish needs sourness and freshness (lime juice, mint, cilantro). The necessary saltiness comes from nam pla and tamari rather than salt itself. These notes in place, you can feel free to include noodles, tomatoes, greens, sweet vegetables, or meat as you wish. What matters is balance.

Sweet squashes marry well with the earthy flavor of beans and lentils. This is apparent in the dhal and pumpkin soup in The Kitchen Diaries and here in a more complex main dish that offers waves of chile heat with mild citrus and the dusty “old as time itself” taste of ground turmeric. Dried (which is the only way most of us know them) chickpeas are the stars of the world’s bean dishes, used to fill bellies everywhere from India to Egypt. Their character—knobbly, chewy, and virtually indestructible in the pot—makes them invaluable in slow-cooked dishes where you need to retain some texture. Fresh chickpeas are bright emerald green and have an invigorating citrus note to them that is completely missing in the dried version. I saw some for the first time this year. I have long wanted to put lemongrass with chickpeas, partly to lift their spirits but also to return some of their lemony freshness to them (I use more lemon juice in my hummus than most as well). This recipe, which just happens to be suitable for vegans, does just that. Like many of those slow, bean-based dishes, it often tastes better the next day, when all the ingredients have had a chance to get acquainted.

Peppers, the red, collapsed horns in particular, are heavily linked with Hungary and its rust-colored stews. The Hungarians make ground paprika from them too, which has become their most famous culinary export. Despite their South American origins, Hungary is where I have found the most dazzling displays of peppers in the markets. Two minutes, even less, from the river and the Szabadsag Bridge, Budapest’s market stalls glow deep rust and gold with tins of paprika and strings of dried mahogany chiles. I love the crumbling wooden stalls of scarlet-capped mushrooms with their stray pieces of iridescent moss, wicker baskets of black sloes, and small sacks of red berries, and the apparently precarious piles of peppers, Christmas red, clean white, and burnt orange turning scarlet. The long peppers that curl back on themselves have the intrigue of Aladdin’s lamp but are awkward in the kitchen, tending to tip their stuffing out into the baking pan. You can roast them, though, with olive oil and lots of salt, and eat them with sesame bread torn into chunks. The most useful, called Gypsy and the size of a fat rodent, are perfect for stuffing: with spinach and cream; translucent onions, capers, parsley, and garlic; cracked wheat, green olives, and toasted pine nuts; ground lamb and cumin. But mostly they are baked with a shake of the olive oil bottle and a grinding of salt until they collapse, wrinkle, and melt into silken strips. You’ll need bread then, in fat, rough chunks, and maybe a glass of bright beer. From August to the close of the year is when the market has the most from which to choose. After that the peppers come dried, in long strings of tobacco, madder, and soot. They shouldn’t be despised. By then the stalls are mostly piled with roots and cabbages, endless sausages, and wholesomely fatty pork. The paprika stalls, stacked with red and gold tins, are kitsch in a Hansel and Gretel way, their shelves covered in fastidiously ironed lace, like the old women who run them. Gulyas, or goulash, means “cowboy” and was traditionally cooked over an open fire. My paprika-scented pork stew—you could use beef-departs not too radically from the classical dish. I include dried mushrooms and cook it in a low oven, giving it a particularly deep, smoky flavor.

Midsummer is a time of extraordinary activity in my garden. Every day brings with it a new shoot, a newly opened rose, a froth of lettuce seedlings. At this point I make a soup of the older lettuces and peas, and yet there is no reason why I shouldn’t make it throughout the year with frozen peas and produce-market lettuce.

At the top of the garden, past the sunny stone terrace, the little beds of vegetables and the unruly shrubs, is a thicket, less than ten feet (three meters) deep but just enough to give the whole garden an unkempt, relaxed feel. Here lie the compost bins with their lids of rotting carpet, green plastic bags of decaying leaf mold, and four small trees of damson, hazel, mirabelle, and a King James mulberry—the latter being a “guardian” tree planted in the northernmost corner to protect the garden from the north wind. In between grow drifts of snowdrops, wild garlic sent by a friend from Cornwall, and fraises de bois, with which this garden is littered, and whose flowers twinkle like tiny stars in spring. The work in this part of the garden is mostly done in winter, if only because the leaflessness of the trees makes it possible to see what you are doing. It is always dark and cold here, and damp, too. I come in from turning the compost or cutting hazel twigs with my feet like ice, my fingers numb. Invariably it’s a Saturday, when I have been early to The Ginger Pig for my sausages. I leave them to bake with parsnips and stock. A slow bowl of food, which often sits patiently until I come in, too chilled to the bone to do anything but eat.

Dried porcini are expensive, but even a small handful added to a soup will bring with it a wave of smoky, almost beefy notes. A general instruction with parsnip soup is to prevent the vegetables coloring, presumably to keep the soup pale, but I suggest the opposite. You want the parsnips to cook to a gentle golden color before you add the stock; that way the soup will have a deeper flavor and a color reminiscent of heather honey.

The tools for my winter gardening sessions tend to lie on the kitchen floor from one week to the next: the pruning knife, my leather-handled pruning shears, the largest of the two spades, the rake. They serve as a reminder that even though the garden may look crisp and neat from the window, there is still work to be done. It is during these cold, gray-sky days that I sometimes feel as if I live on soup. Roots—fat carrots, artichokes, and woody parsnips— are part of the lineup, along with onions and the occasional potato. I take much pleasure in the way something can be both earthy and velvety at the same time. Rather like my gardening gloves.

One of those soups that doubles as a main course, earthy, filling, and beefy. The soup relies on the onion to add depth and body.

I relish the frugality and bonhomie of a bowl of onion soup. This is slightly richer and thicker than the one in The Kitchen Diaries, possibly for colder weather. I don’t often use flour to thicken a soup but in this case it produces a particularly velvety texture.

This extraordinarily deep-flavored stew is one for a day when there is frost on the ground. The inclusion of applesauce isn’t quite as daft as it sounds, and there is much magic to be found at the point where the sharp applesauce oozes into the onion gravy. Boiled potatoes as big as your fist, their edges bruised and floury, are the ideal accompaniment.

To our list of ingredients that balance the leek’s (and onion’s) tendency toward sweetness, we can add green peppercorns. Outside the anise-scented emporiums of Chinatown they are difficult to track down in their fresh state, but bottled ones in brine are perhaps even better here. Deep-winter stuff, this. Some fresh, crisp greens might be appropriate with it, some winter salad leaves or maybe a plate of lightly cooked spinach. Whatever, I do recommend some plain, steamed potatoes to balance the general richness. Green peppercorns in brine are available in cans or bottles from well-stocked specialty markets and delicatessens.

Good cooking often comes from simply going with what is around at the time. Ingredients that are in season at the same time tend to go together—in this case, the last of a hat trick of leek soups made with all that is left in the depleted winter vegetable patch.

Users of The Kitchen Diaries may feel they recognize this recipe. Previously I have always made it with cubed lamb, but I recently tried it with lamb shanks and left it overnight before reheating it. The presence of the bone and fat and the good night’s sleep have made such a difference that I thought it worth repeating here. You could make it a day or two in advance to good end.

Onions have always had a slightly awkward relationship with fish. They seem particularly ungainly and rough edged alongside the white varieties or shellfish. Shallots work better, with their milder notes and less significant dose of sugar, but of all the alliums it is the leek that marries most successfully. The white of the leek has an elegance and subtlety that is unlikely to overpower any fish you put it with. In a soup or pie, it dances with the piscine ingredients where an onion would tread on their toes. Chowder is traditionally a hearty bowl of food. The one I make with mussels and bacon is a short step away from the big clam and potato numbers I have eaten in Boston, in that it is somewhat lighter and less creamy, but it is still essentially a big soup for a cool day.

The potato and the leek are happy bedfellows, as anyone who has eaten a good vichysoisse will know. Softer than potato and onion, more graceful than a chowder, warm potato and leek soup has a peaceful, almost soporific quality. A silky, cool-weather soup that somehow manages to taste creamy and rich with only the smallest amount of butter and no cream in it.