Nut

Walnuts add a healthful dose of omega-3 fatty acids to bread crumbs, which keep the chicken moist. Roasting the chicken, rather than frying it, yields a crisp crust without adding much extra fat. If you don’t have day-old bread, lightly toast fresh bread to use instead.

Banana breads tend to be high in fat and sugar, but this wholesome loaf relies primarily on bananas to keep the bread moist and flavorful. Walnuts and a generous amount of ground flaxseed add texture and plenty of nutrients; substitute toasted pecans for the walnuts if you like, or omit the nuts altogether.

A snappy almond-and-herb pesto is a fresh departure from the classic pine-nut-and-basil version. For an even more nutritious variation, add three tablespoons ground flaxseed to the pesto.

Ground nuts or seeds are the singular ingredient in the sauces known as pipiáns, which are sort of like Southwestern pestos. Peanuts, native to South America, were first used, as were pumpkin seeds, but regionally, cooks would incorporate what was available—in the American Southwest, for instance, it could be pine nuts or pecans, or wild hickory nuts in other parts of the country. The richness of the duck is perfectly complemented by this rich, complex sauce that I created to use New Mexico pecans, a wonderful local crop. It’s very versatile, a great condiment for grilled satay skewers or as a sandwich spread or a party dip. It’s much easier to prepare than it sounds—a whirl in a blender, then a quick turn in a skillet to marry the flavors.

Everyone needs one reliable recipe for an old-fashioned drop cookie. This master recipe fills the bill. It’s simple (no machines necessary—the butter can be creamed by hand, though you can use a mixer for ease) and infinitely variable (modify the dough with any of the add-ins listed below, or split it into two or three batches so that you can make more than one type of cookie at the same time). And if you want, you can bake a portion of it, then form the remainder into balls (on baking sheets) and place in freezer until frozen. Store the frozen balls of dough in a resealable bag in the freezer until until you’re ready to bake; let sit at room temperature for 30 minutes before baking, and bake a few minutes longer than the recommended time. These cookies are somewhat cakey; for a chewier texture, reduce the flour by 1/2 cup and the baking time by 2 minutes.

You will need to dry the bread cubes overnight; transfer them to resealable plastic bags until you’re ready to make the stuffing, up to one day more. (You could also dry them in a 300°F oven for 20 to 30 minutes, if necessary.)

Currants and pine nuts are a classic combination in Sicilian cuisine, so even though I may never see carrots such as these on a restaurant menu in Sicily, the combination feels Sicilian to me. You could make many different vegetables, such as broccoli or cauliflower, using this recipe. It is an ideal vegetable preparation to serve at parties because it can be made ahead of time, and everyone loves it. This dish looks especially pretty made with a mix of carrots in different shapes and colors—such as white, yellow, red, or purple—and carrots that are round, like a golf ball.

Caponata, a traditional Sicilian eggplant preparation, is the perfect example of agrodolce, the Italian word for combining sweet and sour flavors in savory dishes. When people order this antipasto at the Pizzeria, we suggest they also get an order of Fett’Unta (page 65) to absorb the delicious flavors of the caponata. Caponata is an ideal dish to serve at a party, because you can prepare it in advance and serve it at room temperature.

Little Gem lettuce, a smaller, sweeter, very crunchy variety of romaine, appeared recently in Los Angeles the way burrata did: one day nobody had heard of it and now it’s everywhere. Also like burrata, I love it so much that I have found multiple uses for it in my restaurants. The first time I saw Little Gem lettuce was at the Atelier of Joël Robuchon in Paris seven or eight years ago, when I took my daughter Vanessa there for her birthday. A large percentage of Robuchon’s perfectly simple, perfectly executed dishes came with a dressed quarter of this tiny oblong-shaped lettuce with a beautiful, pale green color; I fell in love with Little Gem at first bite.

Torta della Nonna, or “grandmother’s tart,” is traditionally a two-crusted tart filled with pastry cream that is seen in almost every trattoria in Italy. Dahlia and I knew we wanted to include a version, but luckily, the name gave us a lot of room to be creative. As long as it was reminiscent of something a grandmother would make—meaning homey, simple, and comforting, like this cheesecake version that Dahlia created—I felt we could call it Torta della Nonna. Honey is an obvious pairing with cheese in Italy, so we serve this dessert with three different types of honey on the side: a sweet, delicate, floral honey, such as wildflower honey; a bitter honey (also referred to as savory honey), such as buckwheat or chestnut honey; and honey in the comb. The crust that we use for this torta, Pasta Frolla, is a typical Italian pastry dough used in many classic Italian desserts. In keeping with the Italian spirit, I make it with Italian leavening. You will need an 11-inch flan ring (a straight-sided, bottomless tart ring) for the tart and one that is slightly smaller (we use an 8-inch ring) to cut a circle for the top crust.

When the media review the Mozzarella Bar, they almost always mention having eaten this dish. It is composed of two special ingredients—large hazelnuts that we get from Trufflebert Farms in Eugene, Oregon, and sheep’s milk ricotta imported from Italy—paired in an unusual way. Aillade is a French condiment of garlic pounded with some type of nuts, usually served as a condiment for duck or other meats. We make ours with hazelnuts; it’s one of the few condiments that we make at the restaurant using a mortar and pestle because otherwise it comes out too smooth, like peanut butter.

From my vantage point behind the Mozzarella Bar I can see people’s faces when they’re eating, and their expressions when they bite into this dish are that they’re wowed. I like brown butter with asparagus, and I like asparagus with almonds, but putting brown butter with burrata—that was a really indulgent decision and a combination I’m not even sure how I had the courage to put together. We use Sicilian almonds, which have a strong almond flavor and also a slight bitterness. If you can find them, use them. When making brown butter, the trick is to brown it enough to get the delicious, nutty flavor that you want without letting it burn. It’s best to do this in a stainless steel pan as opposed to a black-bottomed pan, so you can see the butter browning as it cooks.

One of the principles of Italian cooking—and maybe this is true of all of European kitchens—is not to be wasteful. Italian cooks find a use for every edible component of each animal or vegetable they cook. In the Italian spirit, I use all parts of the celery in this dish. I slice the celery ribs for the salad, and I use the leaves, so often discarded, both in a salad the cheese is served on and to make a celery-leaf pesto that gets spooned onto the cheese. The result is a bright, flavorful, and textural salad that is equally pretty and unexpected. We peel celery using a vegetable peeler anytime we are serving it raw; it takes only a few seconds and the celery is so much more tender with the fibrous strings removed. The pesto recipe makes 3/4 cup, which is more than you will need for this recipe, but it’s difficult to make pesto in a smaller quantity. Spoon the leftovers over grilled chicken, fish, or vegetables; use in place of basil pesto to make a tomato and mozzarella salad; or simply double the salad and the stracciatella in this recipe to make eight salads. Since stracciatella is hard to find, feel free to substitute burrata in this dish. I normally like to use only the pale green leaves from the celery hearts, but since this dish requires so many celery leaves, I call for you to use the darker green leaves for the pesto, reserving the light green leaves for the salad. If you were inclined to buy even more celery, then use the light green leaves for both parts of this recipe—and use the excess celery ribs as inspiration to make Basic Chicken Stock (page 27), Soffritto (page 28), Lentils Castellucciano (page 264), or any of our other recipes that begin with sautéed diced celery.

I’ve been making a version of this condiment for as long as I can remember. Currants and pine nuts are a traditional Sicilian combination, so anytime I use this I feel like I am making a Sicilian dish.

Every restaurant menu has at least one or two items that can’t be taken off lest customers riot. This sundae and the Butterscotch Budino (page 272) are those items for us, which just goes to prove that caramel and salt are a winning combination. In Italy, coppetta refers to an unadorned dish of gelato, but we took liberties with the definition with this sundae. It’s a good dessert to serve to a crowd, since the recipes for the caramel, marshmallow sauce, and gelato make enough for twelve or more. To increase the yield, just increase the amount of peanuts that you toast.

I love the way the funky flavor of artichokes complements the mild flavor of buricotta cheese in these crostini. The currant and pine nut relish on top of the buricotta adds a touch of sweetness and acidity, and a little mint pesto livens up the whole story. The result: one of the most popular offerings at the Mozzarella Bar, and one I always recommend to vegetarians.

Romesco is a Catalan condiment traditionally made of fried bread and dried peppers, and served with seafood. We make our Romesco using roasted red peppers because we love their charred, sweet flavor. We serve it with mozzarella because we love the way it contrasts with the mild flavor of the cheese—and because we are a mozzarella restaurant! If you happen to have Garlic Confit, use it in this recipe; but if not, your Romesco will still be delicious without it.

Toasting pine nuts brings out their subtle, nutty flavor. Because they are so small and oily, they go from toasted to burnt in no time, so keep a close eye on them. Pine nuts turn rancid very quickly so try to buy them from a source with high turnover and store them in the refrigerator.

When we started working on this book, I had a battle with Matt and Carolynn about whether to ask for the various pestos that we use to be made using a mortar and pestle or in a food processor. I always make pesto using a mortar and pestle, and I feel strongly that pesto tastes better this way. That said, as Matt was so kind to remind me, when I make pesto, it’s usually because I’m in Italy in the summer, where it gets light at five, dark at ten, and I have all the time in the world. At the restaurant we make pesto in such volume that we have to do it by machine; it would not be practical for us to make it by hand. “This is a restaurant cookbook,” Matt said, “and how we do it at the restaurant is in a food processor.” I’m sorry to say that Carolynn took Matt’s side. “Save that for the Lazy Days in Panicale cookbook,” she said. Although here they gave you instructions for how to make it in a blender, I’m hoping you’ll prove me right by taking the extra time and using elbow grease to make yours with a mortar and pestle from time to time.