Beverages

This nut tart is my dream dessert: sticky caramel poured into a buttery crust and studded with salty nuts. It’s a chewy, gooey delight, and whenever it’s on the menu at Lucques I can’t stop myself from sneaking over to the pastry station and cutting paper-thin slices to snack on. It’s also an addictive finger food, so encourage your guests to pick it up and eat it with their hands instead of struggling with a knife and fork. To turn it into a decadent, highbrow candy bar, drizzle some milk chocolate over each slice and dollop with cognac cream.

My mother’s version of this juicy pan-fried steak came from her grease-marked kitchen bible, Mastering the Art of French Cooking, by Julia Child. The classic bistro sauce is made by sautéing minced shallots in the same pan as the steak, adding a generous amount of red wine, and finishing it with butter and parsley. Although I love the smoky flavor of the grill, nothing gives the meat a better crust than a very hot cast-iron pan. And if you’re planning on making a pan sauce, those crispy bits left behind by the steak will give it a deep, meaty flavor. But remember to get the pan super-hot and smoking before cooking the steaks. You might have to disconnect your smoke alarm temporarily, but it’s worth it.

I have a well-deserved reputation as an olive oil junkie. I use olive oil in most dishes, and not with a light hand. When my regular customers saw this dessert on the menu, they thought I’d gone too far—until they tasted it. The oil takes the place of butter and makes for an incredibly moist crumb. It’s delicious with candied oranges and whipped cream, or by itself in the afternoon with a cup of tea. Or if you’re a chocolate lover, try a slice drizzled with the chocolate sauce from the ,meringues recipe on pages 159–160.

The clafoutis was invented in Limousin, France, to showcase that region’s famous cherries. Some compare the eggy consistency of clafoutis to flan, as it’s neither cake nor custard. To me, it’s more like an extra-thick crêpe dotted with fruit. Clafoutis puffs beautifully as it bakes, and hot out of the oven, it’s crisp on the outside and airy in the middle. When chilled, however, it collapses, becoming dense and custardlike. I love it both ways. One of the great aspects of clafoutis is its versatility. Once you know how to make the batter, you can make great desserts with it year-round. At Lucques, we’ve made clafoutis with sautéed apples in the winter and with berries in the summer. For the fall, I like a clafoutis featuring that indigenous American jewel, the cranberry. This dessert is delicious as is, but if you want to gild the lily, serve it with a dollop of bourbon-spiked whipped cream.

Pastry chef Kimberly Sklar came up with this walnut wedge as the ultimate accompaniment to the thick, creamy date shake. It tastes like the best part of a perfectly made pecan pie—toasty crisp nuts suspended in a chewy, buttery caramel. Since this “pie” doesn’t have a crust, make sure to bake it long enough that it holds its shape when you slice it.

This recipe is in honor of Hadley Fruit Orchards, a legendary stop on the way to Palm Springs where “ice cold date shakes” have been soothing weary and overheated drivers on Route 10 for years.

This was one of our first Sunday suppers at Lucques. It’s a variation on the classic osso buco, which is traditionally made with veal shanks. I use the same technique, but for this lighter summer version I braise the lamb shanks in white wine and a combination of veal and chicken stock (as opposed to straight veal stock). The tender shanks are a rich counterpoint to the freshness of the shell beans and crunch of the haricots verts. Ask your butcher for lamb osso buco, but if you can’t find it you can use lamb shanks.

My very first chef position was at a twenty-eight-seat restaurant called Alloro, located in Boston’s very Italian North End. At that point in my career, my cooking experience was rooted mostly in French cuisine, but the owner didn’t seem to mind. When I asked him if I had to cook strictly Italian food, his answer was, “No, no, no! Cook whatever you want. We’ll just give it an Italian name.” The French bistro classic salmon with beluga lentils and red wine butter was abbreviated to “Salmone” on the menu, and other quasi-French dishes were likewise masked under short Italian names. The pasta dishes I made at Alloro also strayed from Italian tradition. For my version of the classic spaghetti alle vongole, I added generous amounts of onion, fennel, and olive oil, and sprinkled breadcrumbs toasted with thyme on top. I also finished the sauce with a spot of butter (the French influence again), which thickened and enriched it. In theory, I’m sure my version of spaghetti with clams would outrage purists in both the Italian and the French camps, but one bite ought to be enough to convince them they have lots to learn from each other. Though you might not think of it as such, the water in which you cook pasta is a valuable ingredient, in virtually any pasta recipe. Do your noodles seem a little dry once you’ve tossed them in the sauce? Rather than correcting the problem with stock (which can alter the flavor balance) or oil (which can add greasiness), add a little pasta water instead. Not only will it moisten the dish, but the starch in it (left from the cooking of the pasta) will also help bind the sauce to the noodles. Try it out; it works.

Julie Robles, one of the first cooks at Lucques and later the chef de cuisine at A.O.C., came up with this delicious savory (as opposed to sweet) cherry compote. This time of year I go crazy for cherries and also serve this compote on roast pork or with an assertive cheese like Taleggio.

Call me boring, but I prefer my sweets on the simpler side, and I drive my pastry chefs crazy with my penchant for, well, plain vanilla. When it comes to custards, I’m a particularly staunch traditionalist. So, when pastry chef Roxana Jullapat told me about her coconut flan, I was skeptical. But its elegant and classic presentation charmed me instantly—a snow white cylindrical custard oozing with golden caramel syrup and surrounded by Elgin Marble apricots simmered in Beaumes de Venise, orange juice, and spices. Roxana’s coconut flan convinced me that there’s life beyond a vanilla pot de crème (which is also delicious! See page 235).

In Italy, there are many variations of semifreddo, which, literally translated, means “partially frozen.” Sometimes a semifreddo is made from sponge cake layered with slightly frozen cream; other times it’s cake-free, simply a lighter version of ice cream. At Lucques, we make this semifreddo from an uncooked “custard” base that has beaten egg whites (to make it buoyant and light) and whipped cream (to prevent it from freezing completely) folded into it. The result is a creamy frozen dessert that doesn’t require an ice cream maker or a true custard cooked at the stovetop. Strawberry and rhubarb are a classic combination, but though it’s tempting to temper the sourness of the rhubarb with sweet strawberries, I prefer the intense mouth-puckering quality of rhubarb on its own. This is a great party dessert since you can prepare all the components ahead of time.

This not-too-sweet tart is the perfect ending to a spring meal. The key to keeping the pastry nice and crisp is to bake it ahead and then scoop out some of the center, to make room for the filling. Don’t overmix the ricotta filling or you’ll smooth away those luscious natural curds in the cheese. At Lucques, we add dried blueberries to the fresh blueberry compote, giving it an unexpected chewiness.

The first incarnation of this dish did not include rice. Tasting it over and over again, I knew it needed a final element that would bring its flavors into harmony: nutty farro, meaty bass, pungent green garlic, sweet pea shoots, tart tangerines. I racked my brain for just the right thing, then remembered a sample of black rice I had stashed in my desk drawer weeks before. I had little experience with black rice—varieties of rice whose kernels are covered by extremely dark bran. The black rice I found was grown in the salt marshes of the Veneto, so I cooked it in an Italian style. As I would for risotto, I sautéed the rice in olive oil to seal the outer layer and toast it slightly. Then I deglazed with white wine, added water, and let it simmer away. When the rice was done, I found it solved my problem perfectly. The rice’s marshy origins gave it a subtle oceany taste, complementing the fresh fish and giving the entire dish a springtime-by-the sea coherence. What’s more, there was a visual bonus: the black rice was gorgeous to behold, coated in its own deep purple sauce.

Poring through old cocktail books, we noted that every reputable bar had a house recipe for bitters. Originally we played with infusing bitter herbs and spices in absinthe but found the task too time-consuming and the results too inconsistent. We settled instead on a blend of different absinthes, Green Chartreuse, and bitters to create just the right balance of anise and bitterness.

This tea-infused vermouth was developed by EO bartender Milos Zica for the Quiet Storm cocktail (page 118). Also known as rooibos, South African red bush tea is a robust herbal tea with a rich mahogany color. We recommend the Silence rooibos tea blend from T Salon, which is where the cocktail’s name partially derives from. Like the Vermouth de Provence (opposite), this vermouth is created with the hot infusion method that requires steeping the tea and other ingredients in a small amount of vermouth to make a concentrate. The color of this infused vermouth is a rich pumpkin orange.

Peaches and bourbon is about as Southern as you can get. Drying the fruit before steeping is key—the flavors are concentrated and yield a strong, clean peach essence; fresh fruit, on the other hand, releases its water into the liquid and dilutes the infusion. The only problem with dried peaches is that they will soak up some of the bourbon, resulting in some loss, but it is worth it. Today, high-quality dried peaches are available in most supermarkets, which greatly simplifies the process. When the infused bourbon is tasted straight, the fruit flavor may seem subdued, but mixing it with sugar or sweetened ingredients awakens the peachiness. We created this infusion for our Pêche Bourbon cocktail (page 46).